WALT DISNEY

ONE OF THE GREATEST DECEPTIONS OF ALL TIME.

By Fritz Springmeier

INTRODUCTION

For years, I have heard many Americans say that something is terribly wrong in this country & that things are

"going to pot", and yet Americans can’t put their finger on what exactly is wrong. When I first began to receive

reports from victims of Illuminati mind-control about Disney’s involvement in their mind-control, I kept an open

ear, but I wanted some tangible proof. After investigating for myself, there is now no doubt in my mind that

Disney (the man, the movies & the entertainment parks) has been a major contributor to the demise of

America, while maintaining a very well constructed front of wholesomeness. In this chapter, you will learn why

Disney is one of the best deceptions of the Illuminati. This author has read a good portion of what is available

to the public concerning Disney. This exposé is undoubtedly the deepest on Disney that has ever been done.

Perhaps part of my motivation is that I’ve tired of Christians talking and acting like Disney stands for

sainthood. Christians, who should have known better, are some of the ones who have swallowed "hook, line

and sinker" the enormous deception that entails Disney. They feed their children a steady diet of occultism

and witchcraft because they have been programmed to think of Disney as wholesomeness and everything that

is good about America. Many writers over the years have tried to expose Disney; most have been stopped

before they could get their books published. The few authors who have managed have faced vicious attacks

on their character & integrity, and have faced enormous struggles against public relations campaigns paid for

by the Disney. The Disney’s power, and the power behind them, has frightened most people away from

challenging them. But someone needs to speak on behalf of the victims. Whether anyone listens or not, the

victims will know that somebody cared enough to stand up & write the truth. Disney has not only left mindcontrol

victims in its wake, but they have harassed land-owners, stolen employee idea’s and left all kinds of

Walt Disney Page 1 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

hurting victims in their path. Disney has risen to become the unquestionable largest media-entertainment

conglomerate in the world, & was ranked company no. 48 in the top 500 companies by Forbes 500.

HOW THE ILLUMINATI LIKE TO HIDE BEHIND PERFECT FRONTS

There are numerous Illuminati homes, restaurants, wineries and other institutions that are today carrying out

the same type of strict standards upon their employees that Walt Disney Studios maintained. While Hollywood

was immersed in moral filth from the start, Walt Disney Studios had strict standards. In the 1930’s, Disney had

a dress code that required men in ties, and women in sober-colored skirts. If a man looked lecherously at a

woman at Walt Disney Studios he risked being instantly fired. Walt was a shining example of the strictest

legalism. Even during the ’50's, if an employee were caught saying anything considered a cussword such as

"hell" they were instantly fired no matter who they were. Walt would not allow his male employees to have any

facial hair, even though he himself sported a mustache. He never allowed employees to have alcohol at the

studios, (which might not be a noteworthy standard except that Walt himself drank heavy amounts of alcohol

in his private office at work for decades). Initially, Walt was very reluctant to have his young artists, who were

being trained by Don Graham, draw live nude models, but reluctantly gave approval. Again the motive was not

to serve God, but to make sure the Disney reputation remained untarnished. With the power of the

establishment media behind Disney, Walt had nothing to worry about, news about the nude drawing classes

and their detailed drawings never reached the light of day. Behind such strict fronts of legalistic morals,

cleanliness & soberness, you will often find lots of guilt and high level satanic ritual. For instance, Hitler (who

was by the way also a failed artist & who liked mechanical things more than people) obsessively washed his

hands many times a day (out of guilt), and so did Walt Disney. Walt obsessively washed his hands several

times an hour, every hour. Walt liked animals & his trains more than people. This author has seen some alters

who were forced to take another human’s life, and when they relived the memory, the altars then tried to

physically wash the bloodguilt off of their hands. Another example is that over the years this author has

discovered that many of the exclusive restaurants that are meticulous in every detail are tied in with the mindcontrol

and criminal activities of the elite. Dirty money is keeping the places looking sparkling clean.

Walt Disney worked very hard at maintaining a great image for himself and his company. An example of this,

is how he exploded in rage and wrote an angry memo when a Disney character was placed in a beer ad.

(Memo mentioned in Thomas, Bob. Walt Disney; An American Original. Hyperion, 1994, p. 7.) He had a

personal image builder, Joe Reddy, who worked full time to build Walt’s image. Joe Reddy was a cigarsmoking

Irishman who loved the catholic college Notre Dame’s football team. He also was a publicity agent for

Shirley Temple. But the Disney deception entails far more than Joe Reddy’s decades of image making, and

Walt’s own abilities to create good images of him. Just as with Billy Graham (see Vol. 2 about Billy Graham),

the entire Illuminati threw their weight behind promoting Walt Disney. Ronald Reagan and Walt Disney were

good friends and both cut from the same die in many ways. Both men were high ranking Freemasons, both

came from socialist backgrounds (Ronald’s mother was Eleanor Roosevelt’s best friend, & Walt’s Dad was a

socialist leader), both were paid FBI informants, and both were involved heavily in the abuse of mindcontrolled

slaves. Walt always generously supported Reagan’s political campaigns, and in turn Reagan did

political favors for Walt as Gov. of California. For instance, Disney’s Mineral King mountain resort needed an

access route through the Sequoia Nat. Park at a time when there was lots of congressional pressure to

preserve the last stands of redwoods. Gov. Reagan got his friend Disney his road through the park.

Reagan served as the emcee for the opening day of Disneyland on July 17, 1990. He returned with Illuminati

TV host Art Linkletter for the 35th anniversary. Ronald Reagan & Art Linkletter both pumped Disney publicly.

Another slave abuser that spent time with Disney was Bob Hope, who would spend time on the golf course

with Walt. On the opening day’s telecast, cameras showed Sammy Davis, Jr. (a member of the Church of

Satan) and Frank Sinatra (a mind-control slave handler) driving the pint-sized Disney ears at the Autopia ride.

When Disney celebrated its fifty yr-anniversary with a two hour special on May 20, 1991, the program included

people like occultist Bill Campbell and was named "Best of Disney, 50 Years of Magic." For the silver

anniversary of Disney World in Oct. ’96, the Clinton’s were invited to help open 15 months of celebrations. The

theme of the anniversary celebrations was "Remember the Magic". A Boy’s & Girl’s Club sang ‘When you wish

upon a star’ (a popular programming song). Hillary Rodham Clinton (herself an Illuminati Grand Dame and a

mind-control programmer) shared with the audience that she and Bill "first brought daughter Chelsea to the

Magic Kingdom when she was four." Roy E. Disney, nephew of Walt, told the public that Disney World "is the

story of men and women who took hold of a dream and never let go." There is a double meaning to that. Many

victims of trauma-based mind-control have taken hold of the illusions that were programmed into their mind

secretly at Disney, and never let go. Among the visitors to Disneyland have been all the American Presidents

from Eisenhower to Clinton, over a dozen kings & queens, as well as Emperor Akihito of Japan, Anwar Sadat,

Walt Disney Page 2 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

and Robert Kennedy (who rode the Matterhorn with astronaut John Glenn.) Both Denmark’s & Belgium’s kings

who are in the Illuminati visited, as well as the dictators of Indonesia, the Shah of Iran and Ceausescu of

Romania. (As a side-note Roy E. Disney was forewarned by Arab leader that the Shah was to be deposed.)

Organizations that have been actively working for a New World Order for many years gave big awards to Walt

in his early years such as the B’nai B’rith (Man of the Year Award to Walt) and the Chamber of Commerce. In

1936, Walt was given the Chamber of Commerce’s annual “ Outstanding Young Man" award. The

establishment’s Yale & Harvard Universities gave him honorary degrees. Walt Disney biographer Leonard

Mosley, who researched Walt Disney for years (as well as writing books on the duPonts, the Dulles brothers,

and Hirohito) wrote in his book on Walt Disney, "The studio publicity machines in the film colony had, as usual,

gone out of their way to try to persuade me, as a writer for a powerfully influential British newspaper, that this

was a city of lawless gods and goddesses, full of clean-living, sanitized stars.

"It was even more of a deodorized world at the Walt Disney Studio where the publicity men insisted their boss

was faultless--never drank too much, never used a swearword, never lost his temper, never quarreled with his

wife or family, never let down a friend. And woe betide anyone who tried to suggest otherwise. Members of the

resident foreign and local press risked their jobs if they dared to write stories inferring that Walt Disney could

be domineering, implacable, and unforgiving (as was the case, for instance, before, during, and after the 1941

studio strike). The Disney flacks were capable of exerting heavy pressure on editors and proprietors or,

through the advertising pages, against anyone who inferred Walt Disney was not the epitome of well-scrubbed

and benevolent perfection." (Mosley, Leonard. Disney’s World. New York: Stein & Day, p. 10.) Disney is

perhaps the epitome of Illuminati abilities to create images. They have created great images for things Disney,

incl. Walt Disney, Disney movies, and Disney’s Amusement parks. In some cases these things have been

overrated, in other instances the sinister side to them has been carefully hidden. In order to make movies that

contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries

which Disney runs, which has allowed them to keep their good image. They also never showed the public the

hard-core porn that was made for years in secrecy for the elite. Behind Disney’s good front lie hard porn, snuff

films, white slavery, Illuminati mind-control, and the seduction of several generations into witchcraft. Disney’s

involvement in these kinds of things will be explained in this chapter. Nobody has sold America witchcraft as

well as the Disney brothers. Movie after movie has cleverly brought the occult into the warp & woof of

American thought, all under the disguise of entertainment. For instance, it was Disney that brought us

cannibalism and told us that it was a "triumph of the human spirit" (a direct quote from Disney’s Touchtone

Producer Robert Watts concerning Disney’s movie "Alive" featuring survivors of an airplane crash who turned

to cannibalism). Under the disguise of entertainment & showing us how "triumphant" the human spirit was,

they subtly promoted cannibalism. Mickey Mouse plays a leading role in "The Sorcerer’s Apprentice." And yet

when this author has suggested that Disney movies aren’t wholesome, many Christian parents come unglued

and have gotten angry with this author. The deceptive image that Disney movies are wholesome is a triumph

in Illuminati deception. Parents would be surprised what is slipped into cartoons. In Disney’s "The Little

Mermaid" the castles are male sexual organs. In one cartoon Mighty Mouse is shown without comment clearly

snorting cocaine. Walt Disney Studios Chairman Joe Roth is in charge of Walt Disney as well as subsidiaries

Touchtone, Miramax, and Hollywood Pictures, which were all created to camouflage the Disney production of

adult films. Disney operates in a clandestine manner regarding the promotion, distribution and rating of the

films produced by their subsidiaries.

DISNEY MAKES MALE PHALLUSES INTO CASTLES.

Roth oversaw Disney’s subsidiary Hollywood Pictures’ Evita film. Evita has as its main start "Material Girl"

Madonna. Madonna is in reality a mind-controlled slave who has appeared in numerous underground porn/&

ritual porn movies. (This author has an underground catalog from a porn business that has recently changed

its location of business. The catalog offered a film of Madonna performing an actual blood sacrifice.) She also

was the main actress in Disney’s Dick Tracy film, which is reported to be used for mind-control. During an

Arsenio Hall show, the cameras picked up Madonna, who as a guest acted dissociative; during the show

kissing her Baphomet ring. Disney controls the products that are associated with the movies of their

subsidiaries. In Evita’s case they are marketing hats and other items, as just one more of Disney’s countless

artificially generated consumerism campaigns. In Ruth Stein’s interview of Madonna, Madonna appeared

bored with plugging Disney’s consumer products. When asked about the tango dresses and hats inspired by

Evita that popped up in stores after the film, Madonna said, "Believe me, I have nothing to do with it. Disney is

pushing the whole thing." (San Francisco Chronicle, 12/29/96, Datebook section). In one interview Madonna

states she wants her daughter to grow up knowing Catholicism, but she doesn’t believe that it would be good

for her daughter if Madonna married the father of her child from Lourdes, Carlos Leon. In another interview,

Madonna says, "Actually, I’m a very good role model, because I say, ‘Look, these are my standards’..." She

Walt Disney Page 3 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

then goes on to plug homosexuality, same sex marriage, and single families in the interview. Walt Disney

stated that it plans to release an album by DANZIG, a heavy metal band whose songs contain "dark themes".

The Disney press release announces on its by-line "Mickey Mouse is going heavy metal." Disney’s album,

BLACK ACID DEVIL" was due to hit the music stores Oct. 30, 1996 during Halloween time. According to

Disney this music has no satanic references, but does have "dark, Gothic and sexual" overtones. Glenn

Danzig denies that he is a Satanist.

AN OVERVIEW

Disneyland and Disney world are world famous and the pride of America. They are also extremely important

programming centers for the Illuminati to create total mind-controlled slaves. Disneyland is also involved with

providing a place for rituals, porn and other satanic activities. In terms of deception, Disney movies and Disney

Amusement Parks rate as one of the best deceptions. According to deprogrammed ex-Illuminati slaves, the

Illuminati in the 1960’s needed to shift their programming away from the military bases, because too much

publicity (heat) was shined on the military bases. Their goal was to have someplace that people from all over

the world could come to without raising any suspicions, and a place, which would be the perfect cover for

many of their criminal activities.

According to a witness, the Illuminati Programmers got a big laugh out of using Disneyland as a major

Illuminati base for criminal activity. Under the disguise of entertaining the world, they carried out money

laundering, child slavery laundering, and mind-control. They nicknamed Disneyland "the little syndicate of

mind-control." When a child of 3 or 4 was kidnapped, they could torture the child and then put him on a ride

such as a Ferris wheel or carousel that a. created dissociation from the pain, while also b. going along with

some fairy tale programming script. An abducted child while waiting to be picked up from one Illuminati nonparent

caretaker by another could be kept happy and distracted while waiting for the pickup. For years,

Disneyland was an Illuminati center for many of their worldwide activities. Now Disney has created other sites

around the world such as Euro Disneyland 20 miles east of Paris and Tokyo Disneyland. Tokyo Disneyland in

1991 had 16 million people attend. With such hugh crowds, it doesn’t take much imagination how the Illuminati

have been able to do sneaky criminal activities right in front of people, and the public never sees it, in the

middle of all the activity. Euro Disney has been money losing affair, but the Saudis who benefit from its mindcontrol,

gave Disney the money to keep it financially in business. Walt Disney Records is the largest children’s

record label in the world. Disney through their movies, books, toys, records, etc. has made a tremendous

impact on the children of the world. Their movie Return from Witches Mountain was one of the most powerful

witchcraft promotions ever made. Ducktails, which has deliberate Monarch mind-control triggers written into

the script, is also broadcast in Poland and the former USSR.

From the time of the Roman Empire (at least, if not before) the oligarchic leadership, who have been in control

of both the Mystery Religions and European aristocracy, have known about BREAD & CIRCUS. Bread and

Circus refers to the concept that IF the masses of people are given entertainment and food staples, THEN

they are easy to control. Walt Disney movies have played a key role in providing entertainment for the masses

to insure Illuminati control. Walt Disney’s friend the Masonic prophet H.G. Wells in his book “A Modem Utopia”

said that there would be lots of shows in the New World Order. The World Future Society in a book review in

their publication Future Survey Annual, 1993, (ed. Michael Marien, Bethesda, MD: World Future Soc., p. 91)

describes Disney: "Control of commodities [such as entertainment] and access to commodities translates into

control over people. ‘The postmodern US is a massive rush of disconnected commodities, each seeking a

moment of our attention." The world of commodities is our soma, and entertainment is the current form of

public discourse. Walt Disney World, spread over 27,400 acres of central Florida swamp and scrub forest, ‘is

the most ideologically important piece of land in the U.S.’ What goes on here is the quintessence of the

American way. It is visited by over 30 million people a year--not only the major middle-class pilgrimage center

in the US, but by far the most important entertainment center in the world. It is clearly Oz, utopia as a

marketing device."

Two Disney brothers Walt (Walter Elias) and Roy O. Disney have been at the center of the creation of

amusement parks and popular Disney films. In more recent times, two other men, Eisner and Katzenberg

have been notable at Disney. Eisner & Katzenberg, as well as others will be discussed later. One of Disney’s

directors, Victor Salva, was convicted of molesting a boy and filming one of the sexual molestations. Recently

Disney Director Salva produced the Disney movie "Powder". (Victor Salva’s sexual molestation conviction was

covered by newspaper articles such as Robert W. Welkos of the LA Times, in newspapers such as The

Oregonian, Weds. Oct. 25, 1995, A sect.) The impact of the Disney brothers is monumental. Mickey Mouse

teeshirts can be seen being worn by natives all over the world. Disney World and Disneyland are the quest for

Walt Disney Page 4 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

a large segment of humanity, who often esteems these amusement parks as the highlight of their life. What is

highly esteemed among men is an abomination to God according to the Word of God. The Bible arbitrarily

makes this claim, but sadly, research by this author over the years proves that a close examination of Disney

& mankind’s esteem for "Disney" things does vindicate the Biblical expectation. In other words, as readers of

this article will find out, behind the appearance of wholesomeness of the Disney brothers and their creations

lays abominations-- some of the most grotesque aspects of generational occultism the world has ever seen.

Disney’s Magic Kingdom has become an American Institution that impacts people all over the world from the

cradle to the grave.

WHO WAS WALT DISNEY?

In the large book The Art of Walt Disney from Mickey Mouse to the Magic Kingdom by Christopher Finch

(N.Y.: Harry N. Abrams, 1975) on page 11 an interesting and revealing statement is made: "By definition,

public figures are known to everyone; yet, even after talking with some of Disney's closest associates, it is

impossible to escape the conclusion that nobody really knew him. Always there was some aspect of his

personality that was just out of reach."

Those who got to know Walt too closely make complaints such as he was "self-satisfied, intractable, and

arrogant." He could bring his artists to tears or anger in a matter of seconds. Finch is not the only author who

has tried to warn his readers that the public’s image of Walt Disney was just that--only a false image. Mosley

also writes in his biography of Walt Disney, "Since Disney is regarded by millions of people, particularly in the

United States, as perhaps this century’s most brilliantly successful creator of screen animation, I think I should

make one thing clear right away. I share the general admiration of a man whose cinematic achievements were

always so happily inspired and inspiriting. But--and this is where I differ from uncritical idolaters--I have to

know all the facts, no matter how unpalatable, as well as the romantic myths about any great man or woman I

admire. Many of the myths that have been created by his publicists about Walt Disney are unpalatable,

unbelievable, and unsatisfactory because so much of the real Walt Disney has been deliberately concealed..

.Walt Disney...had grave flaws in his character." (Mosley. Disney’s World, pg. 9) Years ago, an Illuminati

Grand Master and programmer stated, "If the world only had the eyes to see the fibers which lay under the

surface of Walt Disney’s image, they’d tar and feather him, and drag him through the streets. If only they knew

what Disney’s primary goals."

PERSONAL DETAILS

Walt had black hair with a black mustache, and bright quick eyes and was about 6’ tall. He used his own facial

features to clue artists on how to draw Mickey Mouse’s features. He liked specially rolled brown cigarettes,

which he smoked up to 70 a day. He picked up the smoking habit in the army. He loved expensive Scotch

Whiskey, red sunsets, and horses. He had a vacation home in Palm Springs, CA called the Smoke Tree

Ranch. He often wore the Ranch’s letter STR emblazoned on his necktie. He played lots of golf with Bob Hope

and Ed Sullivan at the ST Ranch. His main home was an estate in Holmby Hills. The Holmby Hills estate was

located in a plush area where lots of rich show-business families lived. It was located between Bel-Air (an

occult word for Satan) & Beverly Hills.

Walt spent many of his nights at the Disney Studios and later he had his own private quarters at the center of

Disneyland. He had reoccurring bouts of insomnia. (For his nerves and insomnia he’d take alcohol and

tranquilizers.) He’d go weeks on end without stepping foot on the Holmby Hills estate and seeing his family.

The main topic at the studio by the staff during different time periods was Walt’s bizarre behavior-- he would

not be available until late afternoon, when he would emerge from the studio’s subterranean maze of tunnels,

where supposedly he was "chatting with the maintenance engineers" everyday. The value of his estate when

he died was 35 million dollars of which Lillian his wife inherited half. In his later years, when Disney took a

vacation he went to Paris for 3 weeks, and 3 weeks at the Hotel du Cap, in Antibes, and then cruised on Fritz

Loew’s yacht with Ron and Diane Disney. In England, Walt spent time with the British Royal family and met

privately with Masonic prophet H.G. Wells. In Rome, Walt visited privately with the Pope and the dictator

Mussolini. In 1966, Walt Disney died. Prior to his death he had investigated cryogenesis--being frozen, and it

is believed by some that his body is frozen somewhere in California, while others claim he was cremated.

MICKEY MOUSE

According to one source, the inspiration for Walt to create Mickey Mouse came when he was unemployed and

Walt Disney Page 5 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

saw a mouse in the gutter. There are quite a few stories in circulation as to where the idea came from. Ub

Iwerks claimed he thought Mickey up at an animator’s meeting in Hollywood. Walt once said, "There is a lot of

the Mouse in me." (biographical article written by Elting E. Morison, p. 131) In fact, Ub Iwerks told Walt that

Mickey Mouse "looks exactly like you--same nose, same face, same whiskers, same gestures and

expressions. All he needs now is your voice." Walt often did serve as Mickey’s voice. A book put out by Walt

Disney Co. in 1988 reveals that Walt Disney told Ward Kimball "Quite frankly, I prefer animals to people." Walt

usually was the voice behind Mickey Mouse, (even though he wasn’t the artist.) His mother was chilly for

years about the work Walt did. Around 1940, after much pleading, he finally got her to watch Mickey Mouse.

His unsupportive mother (which he would within a few years learn was not actually his biological mother) told

him she didn’t like Mickey Mouse’s voice, to which he told her it was his, and then she responded by saying he

had a horrible voice. The "cold towel" she threw on Mickey Mouse helped convince Walt to quit making Mickey

Mouse cartoons. Very few came out of Disney after that, and the very next Mickey Mouse full-length feature

cartoon, Fantasia, had Mickey mostly silent.

Walt’s idea for The Sorcerer’s Apprentice was based on some of his own ideas. Walt had had the dream

which was used for Mickey Mouse in The Sorcerer’s Apprentice of having "complete control of the earth and

the elements." Disneyland and Disneyworld were partial fulfillments of that dream for control. Walt’s final pet

project just prior to his death was the meticulously restored version of the witchcraft film ,,Bedknobs and

Broomsticks." (Disney Magazine, Winter 96-97, pub. by Disney, p. 96 mentions this.) As a programming

device, Mickey Mouse works well because it plays on the subconscious genetically transmitted fear of mice

that women have. Mickey’s image can help create a love-hate relationship, which is so valued during the

traumatization & programming of mind-controlled slaves.

Some sources state that Walt’s love for animals came from the time his family had a farm near Marceline,

Missouri. Walt began his schooling at Marceline, but continued it after the age of eight at Benton School in

Kansas City, MO. Walt’s Dad had a serious gambling problem and passed the spirit of gambling to his son

Walt. Walt never graduated from high school. He had a natural love and a flair for artwork, although (contrary

to his public image) he never became proficient at it. He joined the army in W.W. I. as an ambulance driver by

lying about his age. During the war, he also chauffeured dignitaries. He also did some other things that are

very revealing. He enjoyed drinking & gambling while in the service, and he ran a scam where he doctored

German artifacts picked up on the battlefield to sell to people. War relics were tampered with to get them in

shape to get the most money from them possible. Walt took the battle souvenirs - and dressed them up, for

instance, coating the insides of helmets with grease, hair & blood and putting holes in them to make them into

expensive souvenirs. This shows that Walt was willing to build illusions if it paid. He could be deceptive if he

saw an advantage to it. From gleanings from things Walt said to people, it appears that as a child, he’d seen

the darker side of life (for instance, his father had a habit of beating him in the basement) and had had some

interest or exposure to magic as a child. Bob Thomas writes, "Walt took a boyish delight in playing tricks on

his parents. He was fascinated with magic tricks..." (Walt Disney, An American Original, p. 35.)

After the military, Walt hoped to have a career as an artist. He applied to the advertising agency of Pesman-

Rubin. Roy, his brother, claimed that Pesman-Rubin hired Walt as a personal favor to Roy who handled the

agency’s account at the bank Roy worked at. Walter lasted a month until the advertising agency let him go

due to Walt’s "singular lack of drawing ability." According to Current Biography 1952, in 1923, Walt and Roy

had together $290. They borrowed $500 from another Disney, one of their uncles named Robert Disney and

began to try to make cartoons. Robert Disney had retired in the L.A. area in Edendale, CA after a successful

mining career. Robert had always been close to Walt’s father Elias, and helped Walt and Roy out when they

came to California. Walt loved to study Charlie Chaplin (a member of the Collins family). He scrawled notes

about his body language, facial features, and his gag methods. He also read everything he could about

animation and cartooning. They worked out of their uncle’s garage in Hollywood, CA. They were finally able to

make a good cartoon Steamboat Willie in 1928, which became an instant hit. As with many things in life, the

cartoon was not only good, but Walt finally had the right,,connections." On Nov. 18, ’28, Steamboat Willie was

shown in a small, independent theater without any advance promotion or advertising. But amazingly (!) the

New York Times, Variety, and Exhibitor’s Herald all ran rave reviews of the cartoon the next day. Was this an

accident? Did journalists from all these prestigious periodicals just happen to go to this tiny independent

theater? No it was connections. The reason the elite decided to promote Walt Disney after Steamboat Willie

came out as Hollywood’s newest "boy wonder" was to deflect enormous bitterness that had been generated

by the Stock Market collapse toward Jewish financiers. Hollywood, even in its first two decades, was known as

"Babylon" and "Sin City". The movie industry was well known to be run by Jews, and many people blamed the

Stock Market Crash on the moral degradation that Hollywood had introduced to this nation. There were calls

for government regulatory groups to stop the smutty Hollywood films. Edgar Magnin, the spiritual leader of the

Walt Disney Page 6 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

major moviemakers who were part of the Los Angeles B’nai B’rith reportedly encouraged those in the

Mishpucka and others who were B’nai B’rith movie makers that Hollywood needed to protect itself by putting

Walt Disney in the limelight as a Christian "white knight with family values". (By the way, Edgar Magnin was

nicknamed "Rabbi to the Stars", because he was "the Hollywood rabbi".) E. Magnin’s grandfather’s

department store chain was one of the first major accounts of the Bank of Italy, and Edgar Magnin had

continued his family’s close association with the Bank of Italy. The closeness also came from the Bank of

Italy’s close ties to the B’nai B’rith and ADL. In 1930, the movie industry made a production code, which stated

that the industry must make a special effort to make movies appropriate for children. Hollywood directly

praised Disney in that code as an exemplary model of what the movie industry wanted to do.

With the power of the B’nai B’rith and ADL behind him, Walt began sailing to fame. Movie studios that had

been turning out smut, with lots of sex and violence all jumped on the bandwagon to show Walt’s clean

wholesome cartoons. Walt was the facelift Hollywood needed after the Depression caused Americans to think

about America’s morals. Many of the regular moviemakers were so corrupt they were out of touch with moral

issues, but Walt Disney knew black from white. The Jewish movie makers "pushed the man [Walt] they

considered there best hope to the front of the pack" who was billed as a fundamentalist Christian (albeit a

Masonic "Christian" who rarely stepped foot in a church). (quote from Walt Disney Hollywood’s Prince of

Darkness, p. 50.) Strangely, the biographies indicate that Walt quit doing the actual drawing in 1927, and Walt

devoted himself entirely to the development of the cartoon business, such as raising money. In other words,

the image of Walt Disney being the artist who has created the Disney cartoons is inaccurate. The Disney

brothers actually hired many other artists to do the artwork. If Walt quit drawing in 1927, and their first

marketable cartoon was in 1928 that clearly shows that Walt did not do the actual cartooning. He continued to

oversee the work, walking in and rigidly inspecting what was being done to suit his own intuitive tastes.

Actually the genius cartoon artist (animator) who made Walt Disney a success was Ub Iwerks, about whom

Walt on a number of occasions said was "the best animator in the world". Without Ub Iwerks to take Walt’s

ideas and turn them into reality, Walt would never have become famous. Ub was an incredible genius who

had a sense of line, a sense of humor, patience, organization and a great sense of what Walt wanted. Walt

treated him cruelly at times, interrupting him, playing tricks on him, and not being totally honest with paying

him, but he stayed with Walt over the years and made Walt the success Walt became. (The books Disney’s

World and Disney Animation: The Illusion of Life have information on the unheralded genius Ub Iwerks.)

Another unknown great artist was Floyd Gottfredson. Floyd Gottfredson drew all the Mickey Mouse cartoons

from 1932 until October, 1975--which is a period of 45 1/2 years. Floyd Gottfredson was a Mormon born in a

railway station in 1905, and raised in a tiny Mormon town, Siggurd, 180 miles so. of Salt Lake City. In 1931,

before Floyd totally took over the Mickey Mouse drawings, he would take suggestions from Walt on what to

draw. For instance, Walt puzzled him by insisting he do a cartoon series of Mickey Mouse committing suicide.

Floyd had said, "Walt, You’re kidding!" But Walt thought that a series on suicide would be funny. Over the

years the Walt Disney products never mentioned Floyd’s name. The bulk of the fans were led to believe Walt

did the cartooning of Mickey Mouse himself. (See the book Walt Disney’s Mickey Mouse in Color. Ed. Bruce

Hamilton, pub. The Walt Disney Co., 1988.)

Fred Moore was involved in the creation of Pluto and some other cartoon characters. The idea for Pluto was

Walt’s and it was Norm Ferguson’s genius at drawing that took the idea and created the actual images. Walt

Disney was awarded 32 personal academy awards for the work that was done by his studios. Walt Disney’s

famous signature was actually designed by someone else, and was taught to Walt. (Schickel, Richard. The

Disney Version: The Life, Time, Art and Commerce of Walt Disney. NY, 1968, p. 34.) Walt could only make a

crude Disney signature, so he delegated the writing of the signature to several artists including Bob Moore,

Disney’s publicity artist. Later, after much practice he learned to make it well enough to do for publicity. Many

people who wrote letters asking for his actual signature, and who actually did his signature, thought that they

had received forgeries by his staff, because the famous Disney signature was so crude. The nicer looking

ones were the forgeries. One cartoon animator who joined Disney in 1940 recalled that Walt told him the first

day, "You’re new here, and I want you to understand just one thing. What we’re selling here is the name Walt

Disney. If you can swallow that and always remember it, you’ll be happy here. But if you’ve got any ideas

about seeing the name Ken Anderson [his name] up there, its best for you to leave right away."

OCCULT PORN KING

Walt grew up fascinated with the occult and in an abusive home situation. He was fascinated with cartoons,

nature and children. He had an intuitive sense for quality cartoons that would appeal to children. At some

point, the syndicate got him indebted to them. At that point he was their man. He owed them a debt that they

held over him. In secret, Walt became a porn king. A victim remembers that he was sadistic and enjoyed snuff

Walt Disney Page 7 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

porn films. His interest in children was far from altruistic.

The Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna, where a porn photographer named

Felix Salten worked. Felix Salten wrote a book Bambi, which was then translated into English by the infamous

communist Whittaker Chambers. The elite were just beginning to form the roots for today’s environmental

movement. The book appealed to Disney, because Disney liked animals better than people. In the book, tame

animals view humans as gods, while the wild and free animals see humans as demons who they simply called

"Him." The book begins with both free and tame animal viewing humans as rightly having dominion over them.

In the end, the animals view all humans as simply being on the same level as animals, a vicious animal only fit

to be killed.

Disney instructed his animators to make the animals "to be human. I want people to forget they are watching

animals." Bambi was to receive a Christ-like manger birth, with the animals hailing him as a "prince." Due to

his sexual problems, Walt at one point permitted himself to be subjected to the packing of his genitals in ice for

hours at a time. (Elliot, Walt Disney Hollywood’s Dark Prince, p. 83.) Children were instructed to call Walt

"Uncle Walt." An example of this were the Mouseketeers. For those who know how mind-control programmers

have traditionally liked to be called "uncle" by their child victims, the insistence by Walt to be known as "uncle"

is distasteful. From what this author has learned from some sources about Walt’s non-public life as a hidden

sadistic porn king, it raises questions about other parts of his life. For instance, Kenneth Anger in his book

Hollywood Babylon II, p. 192, "Some animators stated that the boss [Walt Disney] seemed to have fallen in

love with the boy. There may be some truth in this..." The boy, who Walt fell in love with, was a small young

attractive boy actor named Bobby Driscoll who signed up in 1946 with Disney. He acted in Song of the South,

Treasure Island and Bobby’s voice was used in Peter Pan. Bobby Driscoll was very intelligent and attractive.

Did Disney help or abuse him? If Disney was such an upbuilding wholesome atmosphere, & this child actor

had everything going for him, why did Bobby become a methamphetamine addict at 17 & die within just a few

years? Why didn’t his talent & early career lead to something positive in his life?

From those who knew Walt personally one learns that he had an obsession with the buttock part of anatomy.

He enjoyed jokes about this part of the anatomy, which he told to his staff quite frequently. The staff edited out

many of his crude posterior jokes from cartoon scripts. Two examples that got by the editors are a Christmas

special where a little boy is unable to button the drop seat of his pajamas. The little boy’s problem in

maintaining his modesty is the running gag of the cartoon. In the end, Santa gives him a champer pot. The

2nd example is the paddling machine used on the wolf in The Three Little Pigs. Numerous Disney cartoons

feature buttocks of characters provocatively twitching.

AS A WITNESS BEFORE CONGRESS

After W.W. II, Walt Disney was called upon by Hollywood to testify in their defense at the Un-American

hearings which were being carried out by congressmen who were concerned about the heavy communist

influence within Hollywood. Walt downplayed any communist influence in Hollywood to Congress.

Interestingly, Walt’s father was an outspoken Socialist Party leader in the United States who advocated a

socialist New World Order. He regularly voted for socialist presidential candidate Eugene Debs. One of the

first drawings Walt did as a boy was to duplicate the socialist political cartoons he found in a socialist

periodical Appeal to Reason that his father subscribed to. When Walt asked in the 1930’s how his father felt

about socialism’s successes, his father Elias said, "Today, everything I fought for in those early days has been

absorbed into the platforms of both the major parties. Now I feel pretty good about that." (Thomas, Bob. Walt

Disney, An American Original, pg. 147-148) Walt’s movie Alice’s Egg Plant (1925) was pure communist

doctrine where the red hen (communist) leads the working chickens on a strike against Julius the farm

manager (representing capitalists.) The strike at Disney and unionization of Disney in 1940, soured Walt

toward communism. The workers at Disney publicly made personal verbal attacks on Walt & he never forgave

the humiliation. In spite of his public distaste for communism, his Magic Empire (his castle where he was king)

was run like a socialist dictatorship, similar to what the NWO plans. Employees at Disney did not have titles; it

was faceless egalitarianism with an all powerful dictator Disney at the top. It was racially elitist too. The only

full-time African-American during Walt’s lifetime at Disney was a black shoe shine man. Was Walt a socialist of

the National Socialist (Nazi) variety? Arthur Babbitt claims, "On more than one occasion I observed Walt

Disney and Gunther Lessing there [at Nazi meetings], along with a lot of other prominent Nazi-afflicted

Hollywood personalities. Disney was going to meetings all the time." Lessing was mobster Willie Bioff’s crony.

Bioff had spent his earlier days running a whorehouse, before coming to Hollywood for the mob. In the final

panel of the Mickey Mouse comic strip of 6/19/40 a swastika appeared. Some people have wondered what

this & other "secret signals" in Disney’s work meant. Disney was not Illuminati. The powerful elite are very

Walt Disney Page 8 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

skilled at controlling people that rub shoulders with them, those who are beginning to become independently

wealthy. For instance, they destroyed Robert Morris, the great financier of the American Revolution. They

simply used Hegelian Dialectics on Walt Disney. Their Unions and the Mob made Disney’s studio one of their

prime targets. In order for Walt to protect himself from the unions, which he perceived as communist, Walt got

help from the FBI and the mob. Walt was vulnerable to the unions, because he treated his workers terrible,

with long hours, low pay, in addition to repeated abuses to their dignity. Walt’s large number of employees

essentially never received any credit or recognition for their years of creativity and hard work, which was all

essentially stolen and credited to Walt by the establishment to build his image. (I write "essentially", because

someone might find some obscure exception, but across the board, Walt got all the credit for what his creative

workers produced.) Perhaps Walt needed the ego boost from all the purloined public praise which he stole

from his staff to be seen as a great animator, because he had wanted to be an artist/cartoonist and failed. The

praise helped sooth the wounds.

One worker recalls that Walt "had no knowledge of draftsmanship, no knowledge of music, no knowledge of

literature, no knowledge of anything really, except he was a great editor." This may not be much of an

exaggeration, because Walt was a high school drop-out, who grew up in poverty on a Missouri farm.

Walt’s first official attempt to direct a film (and last) was the film The Golden Touch in 1935. The film was an

embarrassment. Walt had to pull it from distribution. If Walt lacked abilities to animate, and direct, what was

Walt’s talent? Walt was the driving force, the spirit so-to-speak behind Disney. He was the dictator who was

feared enough to demand more from his workers than they knew they could give--and he could get it. He was

the driving force that took a mob of artists, and gag creators, etc. and shaped them into a powerful force to

make cartoons and later movies. He was the hard-driving genius who knew what he wanted and got others to

create it for him. He was the driving force that kept an army of costumed sanitation men meticulously cleaning

Disneyland. In normal year, Walt would have 800,000 plants replaced at Disneyland, & Walt refused to put up

signs asking the "guests" (visitors) not to trample them. How powerful was Walt? Here is a man who during his

lifetime and even up into the 1990’s had a rule in the studio & Disneyland that no male employees could have

any facial hair, yet he himself wore a mustache for most of his life.

A possible CHRONOLOGY OF EVENTS surrounding WALT DISNEY'S

ILLEGITIMATE BIRTH

It is beyond doubt that Walt Disney was an illegitimate child, but that fact resulted in a long list of mysterious

happenings. It also gave power hungry men, something to blackmail Walt Disney with. Because this chapter 5

on Deception is focusing on Disney, and the big boys used blackmail to keep Disney in line, this information is

pertinent. The following chronology of events is what this author’s believes most likely happened. Without any

genetic tests, it is difficult to determine beyond a shadow of a doubt who Walt’s biological parents were, and

what the actual history of Walt Disney was. Several people have spent many years investigating the real facts

surrounding his birth. Many interesting and tantalizing clues have been found. This author believes that the

following chronology is suggested by the evidence. (This author’s chronology is offered without hundreds of

pages of evidence, because the mysteries around Walt Disney’s birth are here to stay, no matter what

excuses people come up with, and this author doesn't want to stray from the intended purpose of the chapter.

This is to show that Walt Disney had a secret bastard birth which gave J. Edgar Hoover --and his superiors--

blackmail leverage over Walt Disney. Walt may also have had gambling debts and an abnormal sexual

appetite which also helped entrap him. For those who want more evidence and facts, the following are

recommended: Almendros, Mojacar, Corner of Enchantment, p. 83; Interview magazine, no. 242, ""Walt

Disney Was from Almeria"", and last but not least Eliot, Marc. Walt Disney, Hollywood’s Dark Prince, chapter

11.)

1890--An attractive spanish woman Isabelle Zamora Ascenslo of Mojacar leaves Spain and travels to

California to a Franciscan monastery.

In the same year, but later on In 1890-Walt's future father Elias, who fancies himself a ladies man, leaves his

family to seek his fortune in the gold fields. In California, he meets another newcomer to the state, Isabella

Ascensio, and the two newcomers in California have much in common, have a sexual affair and fall in love.

1891--Elias fails to make a fortune and returns to Chicago, but he doesn't forget Isabelle.

Walt Disney Page 9 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

1893--Isabelle and Elias have a son, and Elias convinces his wife to accept the baby as theirs rather than

have the family's reputation, their marriage, and their family ruined. The son doesn't look like the first two boys

at all.

1901--Isabelle and Elias have another bastard son, who Elias brings home and names Walter after the

minister of the church he attends. The two bastard sons do not look like the older sons of Elias, and they

never have much to do with them, but cling to each other as brothers.

1903--The minister of the church Elias attends finds out about the bastard children and Elias quickly moves

out of state so that the scandal will remain secret. Elias has also run up gambling debts.

1905--After moving to Marceline, Missouri, Isabelle is hired as the Disney's maid, so that she has an excuse to

move in with them without creating suspicions. She probably does much of the raising and care of the two

boys.

1918--J. Edgar Hoover is busy involved with the prosecution of draft dodgers in WW I, and it crosses his desk

about the case of Walt Disney committing the crime of forging his parents signature to join the army. Cases

like Walt's were watched because people who could be blackmailed could be resources in the future for

Hoover. That year, Walt discovered that he had no birth certificate. Waft observes his parents strange

reactions concerning his birth certificate & other questions, & begins to deeply distrust his father.

Nov. 1938--Walt's mother dies by gas, and the Disney's maid pulls Elias to safety from the fumes, but Walt's

mother dies.

1939-40--Hoover offers Walt Disney to help Walt locate his real parents if Walt will work for the FBI. Either

Hoover already knows that he is a bastard child, or he soon learns the truth from an investigation. This gives

Hoover blackmail power over Walt Disney, and assures Hoover that Waft will be loyal. Hoover informs Walt

Disney of the truth, and then moves to generously protect Disney & his father's reputation. Two FBI men plant

baptismal information of a child born to Isabelle in 1890 named Jose Guirao in Mojacar, Spain. This date is 10

years off of Walt's birthdate, and is intended to throw people off track. They can't plant a fake birth certificate

for Waft in the records for 1901, because everyone knows from WW I that none exists. Therefore, they plant a

fake birth certificate for Walt in the Illinois State records in the year 1890. They hope people will think that

somehow a filing error occurred. This way if anything leaks, and worst came to worst, Waft could at least

pretend he was adopted and is not an illegitimate bastard. They pay off townspeople in Mojacar to tell a

particular story. Townspeople probably receive ongoing payments.

1941--Walt confronts his father with the truth, and his father commits suicide, and his real mother comes to

live with him as his maid.

1954--In order to reinforce the myth that Walt was born in Spain, a group of Franciscan monks goes to

Mojacar and visibly inquires about the birth records of Jose Guirao and/or Walt Disney. They spend time with

the mayor and make sure that everyone connects Waft Disney with Jose, who is a fictitious (nominal)

character that the FBI has created records of.

1967--A year after Walt's death, a large group of Americans (a large group was needed because they are not

skilled like the 2 FBI men in 1940) pretend to be on "official" business for the American government. They go

to Majacar Spain to destroy all the records of Jose Guirao to insure that there will be no spanish claimants to

Walt Disney's fortune. Later to insure that the fictitious story is solidly in place to mislead the few who might

get by the cloud of secrecy over Walt Disney, the Spanish government does a favor to certain powerful people

and pays an investigator to investigate the spanish origins of Walt Disney. People of the village willingly tell

people without any fear or without any fanfare that Walt Disney was born at their village. Unless they have

recently done so, the village has never done anything--no monuments, no markers, or anything about the birth

site of Disney. They probably didn't do this for years, because some of the village probably knew it was a lie.

With the older people gone, the lie has probably become well entrenched as truth and there is most likely

some type of memorial to Walt Disney.

WALT DISNEY’S CHARACTER

Because the Disney deception is such a major Illuminati deception worldwide, and because Walt Disney was

the major catalyst behind all the Disney theme parks, movies, trinkets etc. it is of importance to examine his

Walt Disney Page 10 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

character. In studying historical figures, this author has tried to get to the rock bottom truth. One may ask, how

can this be done? -especially since there have been decades of myths spread by the establishment and their

media? The following procedure which has worked with other historical figures was also done by this author

with Walt Disney. The first part of this author’s own procedure is to study everything that one can find on the

man, paying special attention to what bias and vantage point another author comes from. Special attention is

also paid to biographers who try to give the whole truth as they have found it, rather than approved

biographies that repeat myths, platitudes, and flattery. The investigator has to be careful because there are

authors who deceptively say in their introductions that they are "detached investigators" who are "going to be

painfully honest in their reporting" when they actually are skillful coverup artists for the person they write

about. When your author, Fritz Springmeier, finished investigating written material about Walt Disney, then I

mentally placed what I knew on the shelf temporarily, and did a handwriting analysis based on the scientific

principles of Graphoanalysis as well as the broader field of Graphology. This author is a Certified

Graphoanalyst who has done handwriting analysis professionally. Using Graphoanalysis/graphology is an

excellent way to get an unbiased very deep looks at a historical figure. It is a way to by-pass all the

propaganda and myths. However, a close historical look and the handwriting analysis (of various historical

figures) have always matched each other, as they did in this case too. Here is what was found. The following

paragraphs are how Walt was in the 1920’s. The personality profile you will read did not endure. Under the

pressure of micromanaging Disney Productions as well as living with financial stresses, by the 1940’s, Walt

could be found in rages giving rough treatment to his wife, and rough spankings to his two children. He went to

psychiatric counseling to cope with the stress. And unfortunately with the progression of time, by the 1960’s

Walt had become a sadistic egotistical alcoholic. One biographer described him as ,,...a bully and a know-itall"

(Disney’s World, p. 220) Even then Walt had men working for him, such as Bill Walsh (who had been a

orphan as a child) who worshipped Walt. But here is how he was in the 1920’s:

Walt was a self-motivated individual with lots of energy which was constantly seeking some outlet. (People

have written much about this trait of his.) He was more the giver than the taker in relationships. (In the first few

years, when he was responsible for making business contracts he often gave away his work without setting

prices for profits. He even wrote letters to his boss to the effect that his first priority was good cartoons not

profits, and that he’d work without profits, but he did want some appreciation for his work. That was his

sensitive nature showing.) Walt wouldn’t wait for others to come up with an idea or someone else to make a

move--he was there first. He could communicate his ideas with clarity and ease and move easily from idea to

another. (He would storm into Disney Productions and spew one idea after another into his workers’ ears.) He

enjoyed competition. He had a quick mind and keen perception. He frequently acted on intuition and impulse,

taking chances and endangering his own security. (He frequently gambled all his life savings and everything

he could scrape together on a project.) Long projects bored him. (Fortunately a large staff of artists did the real

tedious work of cartooning.) House chores and repetitive chores bored him and he avoided them. (He was

absolutely a total slob around the house as a bachelor.) He was impatient with vague philosophies, he liked

concrete realities. He was difficult to get along with because he had both a playful side (even to the point of

cruel practical jokes) to his personality and an aggressive intolerant impatient side that wanted to achieve.

Naturally, people around him were disconcerted because on a subconscious level they never knew which side

of him they would deal with. (The reference series Current Biography "Disney" article p. 248 gives the

following Walt Disney quote, "We don’t even let the word ‘art’ be used around the studio. If anyone begins to

get arty, we knock them down.") He was geared for action. He was always inventing ways to get what he

needed. He could be explosive when provoked. (The old time associates of Walt remember his explosive

temper.) He was a person of dynamic energy, sensuality and keen thinking, and a disciple of the pleasure

principle.

Because his father was so abusive and misused his position of authority, Walt came to be deeply ingrained

with defiance toward authority. (The themes of his films repeatedly sympathize with those who rebel against

authority, and the police and other authority figures are consistently shown as absurd. One way he expressed

irresponsibility was with lively dance scenes, which has been a hall-mark of teenage rebellion during the 20th

century. "Comic anarchy reaches its fullest expression in Alice Rattled by Rats, which shows what the rats do

when the cats goes away!) He felt that rules were for others to follow. (That is one reason he would step

outside of the law and commit illegal acts. This is one trait that may be responsible for some of the criminal

activities Walt ended up participating in.) Walt also didn’t like to be closely supervised. (He wanted to manage

his Disney Magic Kingdom as if it were his own kingdom. He wanted to be an authority figure, and indeed

became the dictator of his Magic Kingdom. When his workers differed with his own views he felt that they were

infringing upon his own inalienable rights as an individual.) He was somewhat of a melancholic temperament,

that type of perfectionist who still enjoys life. He felt a need to protect himself against intimacy with others. He

was most home in a setting which he made for himself. Walt had the traits of an executive. He was slow to

Walt Disney Page 11 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

reveal his innermost feelings, and definitely set his own goals. Walt was one of those persons that when the

going got tough, he hung in there. Likewise he would cling to his ideas, plans, and possessions. (His stubborn

refusal to allow his brother Roy to stop the creation of Disneyland led to events that split the brothers. The

crime syndicates to blackmail him with some debt took his determination to succeed. In order to get his

dreams, he was willing to give them what they wanted.) A clue to Walt’s macabre sense of humor, at times

almost a graveyard sense of humor, and his high tolerance of seeing pain in others, is that Walt was seriously

thinking of volunteering again as a medic after the W.W. I fighting in France was over, when volunteers were

needed for the Balkan fighting. Walt loved animals more than people. The only human being that he had

rapport with while growing up on the farm was his Uncle Ed (who he called Uncle Elf), who looked like a cross

between a leprechaun and a prune. Uncle Elf could make animals sounds and bird whistles to Walts delight.

Walt loved the charm of the farm and nature and he loved royalty, pageantry and a strict social hierarchy such

as Freemasonry provides. He often wove a combination of the barnyard in with royal parades and other

trappings of royalty. For instance, in Alice the Piper, the King Hamlin is a farmer who sleeps in a farmhouse. In

Puss in Boots the local king lives in an authentic palace incongruously placed in a village. His early film Alice’s

Day at Sea includes both the features of a royal court and an American circus. In typical Disney disdain for

authority, he pokes fun at criminal fraternal groups with their rituals and passwords in Alice & the Dog Catcher,

Alice Foils the Pirates, and Alice’s Mysterious Mystery. And while he was a secret FBI agent, he went against

Hoover’s wishes and poked fun at the FBI’s authority. Walt was loyal to what he believed and could be loyal to

those individuals who he deemed worthy of his loyalty, but he didn’t want anyone to have authority over him.

(Walt was a 320 Freemason & an occultist, he was loyal to that philosophy and loyal in his early years to his

older brother Roy O. Disney, who was a father figure to him.) If anyone at the studios agreed with him when

he was angry at his brother Roy, he or she risked losing their job. Both brothers were protective of each other,

and felt they were the only ones who could criticize the other one.

WHO WAS ROY O. DISNEY?

Roy O. Disney was born in 1893, and his brother Walt in 1901. They had three other brothers, but Roy and

Walt (1901-1966) were only close to each other and not to their other brothers, who didn’t resemble them.

Walt was named Walter Elias, his middle name derived from his father’s first name. The Disney family had

immigrated from Ireland to Canada and then to the U.S. The father of the brothers as stated was Elias, and

their mother of scottish descent, who may not have been the biological mother, had the maiden name Flora

Call. Roy died in 1971, shortly after the opening ceremonies for Walt Disney World. He kept his promises to

his brother to build Walt Disney World. He reneged on his promises concerning the city of Epcot (which was

derailed into becoming EPCOT). Roy O. during the 1930’s lived in North Hollywood. Roy’s family later located

in Napa Valley, CA, and was associated with the Illuminati kingpins in the area. Napa Valley has been

nicknamed the Valley of Kings. This "Valley of Kings" plays a major role in the dirty activities revealed in this

chapter. Roy 0. Disney played a bigger role at Disney Studios than people realize. For example, it was Roy O.

who made the decision to cut 45 min. out of Fantasia, so that Walt’s pet project could be distributed to movie

theaters. Roy O., considered by some insiders as the more evil of the two brothers, kept the financial books

for the Disney’s down through the years. It is known that Disney kept two books during the 1950’s, so it is hard

to believe anything except that Roy 0. was fully aware of how Disney brought in their money. The big boys

always kept the financial screws to Walt and Roy. The big boys often figured out scams to take their money.

When the Disney brothers had an arrangement with Columbia Studio (run by Harry Cohn) they were

advanced $7,500 for each cartoon which cost them an unprofitable $13,500 to make. Further, Cohn liked to

cheat them by not sending them their money, and taking a ridiculous amount of time to pay them what he

owed them. The cash flow problems of the Disney brothers also came from Walt’s desire to keep improving

and upgrading the technology they used. When Walt went to color over Roy’s objections, Disney’s profit

margin was damaged and the studio was left with shortages of cash. In 1937, Walt’s repeated gambles with

cartoon production ideas caused Roy O. to say, "We’ve bought the whole damned sweepstakes." From 1940

through 1946, Disney lost money every year. In '46, he lost $23,000. Finally in 1947, things turned around and

the Disney studio made a profit of $265,000. Cartoons and movies were not really big moneymakers for the

Disney brothers, until it was realized that old films could be replayed on television. Overall, from the 20’s

through the 50’s, the Disneys may have broke even with animation. This is why Disney Studios at Christmas,

1931 was unable to pay its payroll. Pinocchio cost $2.6 million to make in the late ’30’s, an amount hard to

retrieve at that time from the box office, and Fantasia’s original release in the ’40’s was a dismal financial

failure. When Sleeping Beauty was released in 1960, it was a loser, movie goers were apathetic towards it.

The real money made by the Disney brothers in the 1930-1950’s came from the merchandising of Disney

products, the production of underground hard porn, and the kickbacks from various groups which used Disney

for mind-control programming, and money laundering. When Walt died, his shares in Disney were worth $18

Walt Disney Page 12 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

million. His family all in all held 34% of the stock in Walt Disney Productions. Roy o. Disney’s daughter

Dorothy Disney Puder & husband Episcopalian Rev. Glen Puder purchased property at 1677 Sage Canyon

Rd., Napa Valley east of Rutherford. (This is close to the Rothschild’s Opus One Temple mentioned in VoL 1.)

O.J. Simpson’s lawyer Johnnie Cochran Jr. was in the Rothschild’s hard-to-enter Opus 1 when the jury arrived

at a decision in O.J. Simpson’s case.) It is very typical for Mafia families in south Boston to have one family

member in the clergy & one full time in organized crime. (See author’s Be Wise As Serpents for an expose on

the Episcopalian Church, which is simply a branch of Freemasonry.) All kinds of interesting Mafia figures,

Illuminati, and Bohemian Grovers live up the Sage Canyon Rd. This is an area that has a large well-kept

cemetery for pets. Frank Well’s sister and Rich Frank, who will all be discussed later in this chapter, also live

on Sage Canyon Rd.

WHO WAS ROY B. DISNEY?

Roy Edward Disney (nephew of Walt) is the son of Roy Oliver Disney (brother of Walt). Sometimes he has

been called Junior. The 9/5/94 Newsweek story on Disney’s Magic Kingdom called him "Keeper of the Flame."

Roy is an executive with Walt Disney Co. at 500 5. Buena Vista St., Burbank, CA 91521. He has worked as an

asst. producer at Walt Disney Co. from 1954 to 1977. He has also been the vice-pres. of Walt Disney Co. He

is president of Roy E. Disney Prodns. in Burbank. He is chairman of the board for Shamrock Broadcasting Co.

As if that weren’t enough, he is on the board of directors for St. Joseph Med. Ctr., fellow U. Ky. Recipient of

the Academy award nomination for Mysteries of the Deep. He is a director of the Guild American West, the

Writers Guild, which is important. He belongs to the 100 Club, the Confrerie des Chevaliers du Tastevin, and

St. Francis Yacht Club. He likes speed boat racing. Roy E. Disney was the cocky son of Roy O. He married a

gal named Patricia. He was merely tolerated by his uncle Walt, especially after Roy E. made some snide

remarks about Walt’s plans for Disneyland, which he and his father opposed until Walt Disney personally got

the project going. Walt’s son-in-law Ronald Miller is one of the Disney clan who can’t stand Roy E. The two

never liked each other, and in the power struggle between them after Walt’s death, Roy E. won and ended up

with Disney. Although people called Roy E. "Walt’s idiot nephew", he eventually (with the help of his father &

outsiders) won the various power struggles at Disney after Walt died, and is now a powerful figure. Roy E.

Disney and Stanley P. Gold work together in various ways, and are both on the present Disney Bd. of Dir.

They are friends and worked to prevent hostile takeovers of Disney in 1984. Gold is in charge of Shamrock

Holdings, Inc.

The battle between the two Disney factions

In 1953, the two brothers and their respective sides of the family split when Walt created RETHAW

Corporation. The two sides have fought ever since. When Walt Disney created RETLAW (his name Walter

spelled backwards), this alienated his brother Roy O. & Roy’s side of the family. Without going into all the

details, what RETLAW did was cut Roy O.’s side out of the money that was to be made. But Roy’s side didn’t

stand by and idly let their share of the pie be lost, they fought back and held their own. Their big break came

when Michael Milken and his band of junk bond artists carried out a "greenmail" on the Disney Corp. Only a

few insiders know how greenmail works. It is a legal form of blackmail. Milken would work with his friends Saul

Steinberg, Sir James Goldsmith, and Carl Icahn. Milken would provide them the financial clout, to make them

look financially capable of financially purchasing a corporation that they had selected as a target. According to

insiders, Milken got 40% of the upside of any "greenmail" that went right. The targeted corporation would learn

that someone like Saul Steinberg was going to buy them out. In order to prevent the buyout, and to keep their

jobs, the officers of the targeted corporation would get frantic, and either do suicidal refinancings, or buy the

stock of the potential acquirer for much greater prices than the Milken group paid for them. The "greenmail"

artists would then take their loot and go on their way. The stockholders of the targeted company are the real

losers of "greenmail", because the management of the corporation in order to finance their protection spends

the stockholder’s money, takes on new debts, and deprives the stockholders of some profit-making potential

of their shares. Michael Milken’s group made feints to take over a large number of corporations, including Walt

Disney, Phillips Petroleum and Avco. Saul Steinberg made what looked like the beginnings of a sincere hostile

takeover of Walt Disney through Reliance. At one point Reliance became Disney’s largest stockholder.

Steinberg filed an amended 13D saying he intended to acquire 25% of the corporation. The CEO of Walt

Disney, was Walt Disney’s son-in-law Ron Miller. Saul Steinberg is a dear business partner with London’s

Jacob de Rothschild. Originally, Ron Miller (Stanford Univ. grad.) and Ray Watson (a Bohemian Grove mmbr

from Stanford Unive.) of Walt Disney’s management brought in the Bass brothers to help them deal with Saul

Steinberg’s takeover and to buy and develop land (esp. in Florida). Ray Watson was Ron Miller’s key right

hand man to run things. The Bass brothers are mafia. Disney acquired the Bass Brother’s Arvida, and brought

Walt Disney Page 13 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

the Bass brothers into Disney’s management. The Basses sold their stake in Texaco back to the oil co. & then

used this money to bolster Disney. Sid Bass & Chuck Cobb (chief exec. Arvida) worked out a deal with

Disney. Arvida (sold to Disney for $200 mil.) would profit from developing Disney land in FL & Disney would

profit from the new financial strength that getting Arvida would provide. Arvida owned oil fields, theme parks,

and had helped create planned communities. For Ron Miller, on the one side was the Illuminati and the other

side of things was the mafia. He didn’t trust either, but Steinberg’s takeover could eliminate Disney’s

management and both he (and Roy E. Disney) wanted to save Disney from a takeover by Steinberg. At first,

Roy E. wrote a letter to Ron Miller & the other board members stating his concerns about the acquisition of

Arvida For Disney management, at least the Bass brothers would let Walt Disney continue to make their family

movies. After the Bass brothers joined the Disney management (and became one of Disney’s major

stockholders), they soon joined sides with Roy E. in a management fallout over whether Disney should buy

Gibson Greeting Card Company. With enough votes on the board, they sent Ron Miller packing. With Ron

Miller, and those management men aligned with Walt’s side of the family gone, then CEO Michael Eisner,

Frank Wells, Rich Frank, and Jeffrey Katzenberg and some others made the modern Walt Disney Corporation.

Disney’s Touchtone studio which was mentioned above in connection to the movie Alive was created in 1984

by Walt Disney’s son-in-law Ronald L. Miller. Ron Miller’s management style was lackluster. The new

management has really gone gang busters. Although Walt’s side of the family is out of the management end

of Disney, they still receive financial rewards from various Disney enterprises. The Bass brothers acquired

more land for Disney in Florida. But under their tutelage, Disney now has a management team that is skilled in

land grabbing techniques. The Bass fortune began with Perry Bass, who created a company called Bass

Enterprises. In 1969, Perry retired and turned things over to his eldest son, Sid Richardson Bass. Sid has

three younger brothers Ed, Robert and Lee. The Basses owned 27% in Prime Computer, as well as sizable

real estate and oil holdings. The Bass brothers founded a local prep school in Ft. Worth, TX. Their HQs in Ft.

Worth is full of modern art. The Bass brothers were very clever in their deal with Disney. In exchange for their

$14 investment in Arvida, they had gotten (over a period of time) $950 million dollars worth of Disney stock. In

1985, they liquidated Bass Brothers Enterprises and divided the assets between the four brothers. Sid Bass

was able to shift his interests from finances to culture and high society. One of the Bass brothers is involved

with wineries in Napa Valley. The Bass Brother’s financial strategist was Alfred Checchi, now of Beverly Hills,

who has been a supporter of Mishpucka member Sen. Dianne Feinstein (D-Calif.).

Roy is involved in criminal activities, and several people investigating him have been bluntly warned that if

they continue, they will see their children murdered. Napa Valley’s Illuminati activity also connects in with CIA

activities as well. The Napa Valley Illuminati families all have CIA connections. For instance, British millionaire

Kenneth Armitage, who had to flee from England to avoid arrest on numerous charges of theft, deception and

false accounting, had some of his good friends in the Napa Valley, such as Dr. John Duff, Johnny Beck, &

others. Armitage has since mysteriously died in prison in England. Armitage had intelligence connections

which tie in with twilight world of the criminal activities of the numerous intelligence acronym monsters. Also

his company was authorized to provide people with Central American government documents. There is more--

much more to sordid affairs which swirl around Roy Disney. Napa Valley, where many members of the Disney

family live, has the Illuminati’s Opus One temple owned by Rothschilds, as well as two roads lined with

meticulously kept wineries owned by Illuminati kingpins and connected via secret underground tunnels. To top

off this incredible collection of Illuminati wineries (Rothschild’s, Mondavi’s, Rutherford’s, Christian Brother’s,

Sattui’s etc), on the north end of a series of wineries on highway 29 lays the CIA’s medieval-looking Culinary

Institute of America Greystone (at 2555 Main St., St. Helena, CA 94574), where numerous people have

suffered torture. The Greystone Culinary Institute of America recently had the person who runs their campus

store mentioned in House & Garden, Sept. ‘96.

WHAT DO WE KNOW ABOUT THE DISNEY FAMILY IN GENERAL?

Several members of the Disney family came to England with William the Conqueror. They were not known as

Disney then, but because they came from the French Norman town of Isigny, they took the name d ‘Isigny,

and anglicized it into Disney. Walt had two daughters, Diane Marie (bn. 12/18/33) and Sharon Mae.

Diane made some revealing comments when she said, he didn’t spoil us. Like a lot of adolescent girls, I was

crazy about horses, and I got quite good at riding. I yearned for my own horse, but Dad wouldn’t buy one. And

we didn’t have a lot of clothes and other things." For being one of the richest men in the nation, Walt can’t be

accused of having spoiled his children. He was also famous for his ten cent tips at restaurants, which became

the talk of the town. Sharon Mae was adopted and arrived at the Disney home 12/31/36. (She died in ’93.) The

adoption was kept very secret. The newspapers around the country announced that Lillian had given birth to

Sharon, and the Disney family kept up this lie for years. The reason given for Sharon’s adoption was that

Walt Disney Page 14 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Diane needed a playmate. For years, Walt Disney didn’t care much for Sharon and seldom acted like he even

knew her name. Walt had wanted a son, but his wife wanted to adopt a girl, so it was a beautiful girl that Lillian

picked out to be a companion for her first daughter. When Sharon was kindergarten age, Walt would take her

to the carousels in Griffith Park on Sunday afternoons. Sharon was sent to private schools. She went to

Westlake School for Girls, and later was shipped off to Switzerland to a girls’ boarding school.

She had soft blond locks and was attractive. In June of 1948, Walt took Sharon, who was then an attractive 12

yr. old to Alaska with him for about 2 months. For most of this trip Walt and Sharon were alone together. For a

father, who had ignored Sharon for years, now Walt was totally obsessed with Sharon. He bathed Sharon

every night, combed her hair, washed her underwear, and carefully dressed her each night from head to toe

before taking her to nice restaurants. He even followed her when she sleep walked. Why was Sharon a

dissociative person? That summer in Alaska, Walt and his personal pilot took a trip in August to Mt. McKinley,

AK. Both were drinking scotch whiskey and they barely missed hitting a mountain, and almost ran out of fuel

before finding a runway. Sharon first married a presbyterian Robert Borgfeldt Brown. Later, Sharon went on to

marry William Lund. Years later, Walt’s wife Lilly even prevented a biographer from revealing that Sharon was

adopted. Sharon died relatively young. It is important to look at the Disney family rather than just Walt Disney

in trying to understand the Disney phenomena. For instance in 1958, the Wall Street Journal mentioned that

Lillian B. Disney was beneficial owner of over 10% of common Disney stock.

Lillian, Walt’s widow, quietly purchased property in Napa Valley and moved there in the late 60’s. She bought

the property through Walt’s Retlaw Enterprises and the Lillian Disney Trust. Lillian and her 2 daughters ran

Retlaw for years. Diane Miller, her daughter, also bought land and moved to the Napa area. The Lillian Disney

Trust bought the Silverado Vineyards, which Diane & her husband manage as ,,gentlemen growers" as they

call it. This side of the Disney family is shunned by the Illuminati insiders in the Napa Valley, as well as by the

Roy O. side of the family. Although very private, there are occasional moments of publicity from Diane Disney

Miller, when she donated wine for a fund raiser for the Planned Parenthood Shasta Diablo held at the estate

Niebaum-Coppola, owned by director/producer Francis Ford Coppola. Francis F. Coppola comes from an old

mafia family. He owns a big winery & directed Disney’s Caption EO film. Locals in the Napa area do not trust

any of the Disneys, especially the Roy O. side of the family. There are other Disney’s who tie in with the occult

world. Wesley Ernest Disney, a 32° Mason & Shriner, who was a U.S. Congressman, a state official & lawyer

in Kansas who had a brother Richard Lester Disney-- who is a Rhodes Scholar and a Mason too. Wesley

Ernest Disney, by the way began as a lawyer in Muskogee County (a Satanic controlled county), and was a

Christian Scientist. He lived in Tulsa, a powerful city of the Illuminati hierarchy. Doris Miles Disney has been a

writer of occult fiction, such as The Magic Grandfather the Chandler Policy (1972) and Trick or Treat (1972) as

well as many other occult novels.

A HISTORY OF DISNEY

"The story of Disney’s silent film career is not so much a struggle for artistic expression as it is a fight for

commercial stability." During the 1920’s, Walt stayed safely within the confines of comic animation as defined

by others, such as the producers of Felix the Cat, Koko the Clown, and Krazy Kat. In other words, when many

of the ideas were coming from just himself, Disney’s movies were not any better than others. In the 1930’s,

Disney got some of the best talent available and he began to settle for only the best results from that talent.

With the mob, and the Illuminati behind him, and driven by an indebtedness to them, Disney began to achieve

outstanding results in animation. Between 1924 and 1927, Walt Disney made a series of 56 silent Alice

Comedies which used three different girls (6-year-old Virginia Davis, Margie Gay and Lois Hardwick) to act as

Alice who romps around in a makebelief cartoon world. These cartoons combined live action and animation.

By the time the series was done, Walt Disney wanted to try working solely with animation. Margaret Winkler in

NY (who married Charles Mintz) distributed Walt Disney’s Alice Comedies. From the beginning, children were

the center of everything Walt did. The occult world that backed Walt, as well as Walt himself, believed that if

they could bring out "the child" (that part of a person called "the child" by various psychologists), then they

could appeal to the curiosity and feelings of the "child" part of adults. If it worked with adults, they could do the

same with the child part in children. They knew even in the 20’s & ’30’s what had to be accomplished in the

secret Great Plan for a New World Order. The Illuminati Great Plan called for family life to be destroyed, for

children to rebel against their parents, and for the world to become more violent. Children needed to immerse

in images of violence so that a violent society could be created. For instance, the 1925 film Alice Stage Struck

shows little girl Alice strapped to a log leading to a buzz saw. They also wanted to make occultism--witchcraft

the common belief of the American people. The Illuminati felt they could bring in witchcraft if they appealed to

the curiosity of the child in every adult. For instance, the Donald Duck cartoon Corn Chips (1951) shows

Donald harassing Chip and Dale who then get back at him by stealing a box of popcorn and spreading it all

Walt Disney Page 15 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

over the front yard. Now what does a cartoon like this teach kids? It teaches that stealing to repay a grudge is

O.K. and that doing pranks is funny. In Disney’s 1920 films, he shows kids cutting school, shoplifting and

playing hookey. He shows Alice running away from responsibility to have adventure. He shows prisoners

escaping and hobos escaping work. His films are expression of misbehavior being successful. What does this

teach children? In the 1951 cartoon, Get Rich Quick Goofy wins money at poker and his initially angry wife

who doesn’t like gambling forgives him when she sees how much he’s won. Goofy indicates that they can

have a spending spree by telling his wife, "Easy come, easy go!" The gambling spirit is a very powerful spirit

that the Illuminati want to instill in this nation. How can a cartoon that promotes gambling be wholesome for

children? Lt. Col. Dave Grossman is a military expert on how to condition people so that they will kill. He writes

in his superb book On Killing (Boston, MS: Little Brown & Co., 1996) that the same process that the

government has used to condition soldiers to kill, is being used by the entertainment industry. The only major

difference is that in the military, men are taught to kill only on command, while our children are being taught to

kill whenever they want to via TV’s "entertainment." Grossman states on page 308, that the conditioning to kill

begins with cartoons. "It begins innocently with cartoons and then goes on to the countless acts of violence

depicted on TV as the child grows up... .Then the parents, through neglect or conscious decision, begin to

permit the child to watch movies rated R due to vivid depictions of knives penetrating and protruding from

bodies, long shots of blood spurting from severed limbs, and bullets ripping into bodies and exploding out the

back in showers of blood and brains." While children see horrible deaths on T.V., they learn to associate this

suffering with entertainment, pleasure and their favorite soft drink, their favorite candybar, and close intimate

contact with their date. (See On Killing, p. 302) Disney has the appearance of Wholesomeness; this

appearance is quite deceptive. A close study of Disney cartoons will reveal lots of violence that could not be

depicted if the violence was actually real life & not animation. It’s the wholesome front which is one of the

deceptions that makes Disney cartoons & films so dangerous. Yes, the image of Disney has been that its

cartoons are wholesome. No wonder Illuminati mind-control programmers have laughed at how naive the

American public is toward Disney. The Disney Gargoyles cartoons are a television series that is pure

demonology. The story line is that a race of demons protects New York City. One of the Gargoyles is even

named Demona. The Illuminati programmers are amazed at how stupid the masses of people are, and how

easily deceived. How the Disney movies are used as programming scripts is very involved so only one

detailed example is given at the end of this chapter. The Illuminati and Mafia knew that Walt had the ability to

get the job done that the Great Plans called for. (Source: confidential interview.) They knew they had the

"carrots and the sticks" to get him to cooperate. There is no doubt that Walt was a hard worker who in turn

expected high standards from his employees. One co-worker of Walt wrote, "Walt made a simple statement,

that you can lick them with ‘product’ if you make your product good enough, they cannot deny it.. . .In Walt’s

estimation, everything that was done had to be executed with a great deal of thought and finesse." Neelands,

Barbara, compiler. About Ben Sharpsteen, article by David R. Smith (2nd Impress.) Calistoga, CA: A

Sharpsteen Museum Reprint, pg. 2-3. One big turn in Walt’s outlook toward quality came in April, 1927 when

the head of Universal Studios wrote a scathing report on the quality of Disney studio work. It forced Walt to

realize that up to then he had been slipshod and sloppy. He resolved to never take the easy way, but to work

with dedication toward making his drawings come to life with character and interesting situations. In 1922,

Walt made a film Cinderella. This is not to be confused with the later animated film also of the same title

released in 1950. The 1950 feature was re-released numerous times. The Alice cartoons were made with a 6-

year-old girl playing Alice. The first six Alice comedies had extensive live-action beginnings, and then went

into cartoon. A few of the 1920’s Alice silent cartoon titles include:

Alice’s Wonderland (1923)

Alice Hunting in Africa (1924)

Alice’s Spooky Adventure (1924)

Alice Plays Cupid (1925)

Alice Cans the Cannibals (1925)

Alice Rattled by Rats (1925)

Alice Chops the Suey (1925)

Alice Charms the Fish (1926)

Walt Disney Page 16 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Alice the Whaler (1927)

Alice the Beach Nut (1927)

After the Alice Series, Disney began a fully animated series called Oswald the Lucky Rabbit. Here we see the

occult concept of luck (who hasn’t heard of a lucky Rabbit’s foot?) being subtly promoted. Disney cartoon may

entertain, but they also indoctrinate while they entertain. In 1926, Walt Disney signed an agreement with Mintz

and Film Booking Offices (EBO). Film Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy’s

company. For at least the next years, Disney worked under the control (auspices) of Illuminati kingpin

Kennedy. All of the Disney pictures were registered by R-C Pictures Corp., one of the parent companies of

Kennedy’s FBO. Joseph Kennedy also controlled the RKO studio which worked together with the other big

studios to insure that no small studio would develop as a competitor. By 1937, all the big studios--20th Cent.,

Paramount, MGM, Warner Bros., Cohn’s Columbia Pictures and Kennedy’s RKO were allowing the mob to

skim money from them. Kennedy’s RKO gave Walt a guarantee in 1937 that they’d distribute Snow White

sight unseen. Walt Disney had their films distributed by Kennedy’s RKO from 1936 to 1956. Another little

known detail is that in 1926, Leon Schlesinger (future producer at Warner Bros.) subcontracted animation jobs

to Disney. One of these was Universal’s The Silent Flyer. In 1928, Steamboat Willie debuted. This was an

animated cartoon with a soundtrack starring a mouse later named Mickey Mouse. It had taken lots of hard

work and determination on Walt’s part, but it was the first cartoon with a sound track and it was successful. In

1929, the cartoon The Haunted House came out. The story is, Mickey Mouse is forced by a storm into a house

full of ghosts who force him to contribute to their spooky musicale. In 1930, Harry Cohn, one of the most

ruthless and unsavory characters controlling a studio bailed Walt Disney out of Walt’s trouble with con-artist

Pat Powers who was stealing Disney’s money. Harry Cohn was a former NY pool hustler and gambler who

was brought in by Chicago investors to front their investments in Columbia Pictures, and run their studio. He

wore a sapphire ring that the Chicago mafiaman Johnny Roselli gave him. Roselli later became a rogue asset

of the CIA, and testified before Congress (the Church Committee on Assassinations in ‘74) about a CIA

contract which was handed him. Roselli worked for the Mafia Council of 9, which incl. Anthony Accardo and

Sam Giancana. Harry Cohn was said by some to be the most hated man in Hollywood. His money gave him

"the power of an emperor". His money got him the best female flesh available which he used for his pleasure.

He always seemed to arrive from Las Vegas with rolls of new greenbacks, which had close associates

wondering where all the money came from that he always got when he made trips to Las Vegas. In 1931, Walt

went into a long suicidal depression that lasted into 1932. In the summer of 1932, he took a vacation to try and

recover from his nervous breakdown. By 1932, Ingersoll had marketed its first edition of Mickey Mouse

watches. Disney products have served as a model of consumerism for the world. Disney watches have been

made continuously since 1932 or ‘33. In 1932, eighty major U.S. corporations (such as General Foods, RCA &

National Dairy) began to market Disney products. Ed Sullivan began regularly running stories that bragged

about Disney’s work. Freemason Dr. Rufus B. von Kleinsmid, pres. of the Univ. of So. Cal., gave Disney an

award from Parents magazine for Walt’s "work with children". In 1932, several artists who had worked for

William Randolph Hearst came to work for Disney. In 1932, Roy switched Disney from Columbia to United

Artists. United Artists agreed to front Disney $15,000 for each cartoon.

In the 1930’s, the Illuminati’ Bank of America financed Walt Disney. Years before, the Bank of America had

been quietly created from Bank of Italy which was controlled by the same oligarchy that has run the Knights of

Malta and renaissance Venice. The Bank of Italy was a powerful bank in Hollywood’s first years. It’s

representatives A.P. and Atillo Giannini financed Walt during the 1920’s with petty cash to keep him going, but

not enough to get him out of financial bondage.

Joe Rosenberg of Bank of America was sympathetic to Walt. Joe Rosenberg, a jewish banker, came to all of

Disney’s board meetings, sat beside Walt, and would advise Walt on what direction Disney Studios should

take. Joe wasn’t a board member, but his advice got high priority. Bank of America also bankrolled other

Illuminati projects and organizations. Bank of America had one of their branch offices on Disneyland’s Main St.

from ’55 until ‘93. They were open on holidays and Sundays for Disneyland. Bank of America is slated to be

perhaps the only bank to survive the economic crash, when the Illuminati kingpins will allow their own banks to

crash. Bank of America executive S. Clark Beise (who is a Scottish Rite Freemason) has been a member of

Disney’s board of directors from ‘65 to ’75. One of the biggest depositors in Bank of America is Roy E. Disney.

Other Disney execs like Rich Frank have also used Bank of America as their bank of choice.

The Bank of America bankrolled the Disney animation Snow White. Walt managed to sell Joseph Rosenberg

on the idea, at a time when old time Hollywood people were advising Rosenberg that Snow White could only

be a failure. When Snow White was successful, Walt announced a monster party for all Disney workers at

Walt Disney Page 17 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Lake Norconian, near Palm Springs, southeast of San Bernandino, CA where the cost of everything the

Disney workers wanted to order--food or drink or whatever, would be taken care of by the Disney’s. Under the

full moon, the Disney male and female workers, finally free of the tight rules at the studios, had what

amounted to a Roman orgy and a large nude skinny-dip at the lake. Almost all of the Disney workers

participated in the orgy and Disney had only two options, 1. fire them all or 2. ignore that the party took place.

Walt choose the later option, and after that no-one ever dared mention the party in his presence. In 1937, Walt

and Roy took a trip to Europe where Walt dined with the British Royal family, & met privately with H.G. Wells,

the masonic prophet! planner of what Wells & other masons called "the New World Order". In Paris, the

League of Nations (the forerunner to the U.N.) gave him an award. After the success of Snow White, Disney

chose Pinocchio to follow it. Many have asked why Pinocchio was chosen by Walt. If you look at the script, the

puppetmaker’s wife is taken out of the original script, and there is an emphasis on the little wooden puppet

visualizing becoming a flesh & blood son to the man who had created him. Here we have a boy with no soul,

who is told if he works hard he will be given one. (Does this sound familiar to readers of VoL 2?) The script

was definitely changed to have a storyline far more useful to mind-control programming. For those who think

Walt simply recreated fairy tales on the screen, if one examines the changes that are made from the original

storylines, they are changed to make them more useful for mind-control. Both Snow White and Pinocchio have

occult type "deaths and resurrections". After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his boss, to

bankroll Disney again. Although Walt was financed by the Mishpucka (Jewish Mafia), he didn’t like the idea.

Richard Rosenberg, a later Pres. of Bank of America, is also Mishpucka. Richard Rosenberg (his mother was

a Cohen) was also in charge of Northrop Corp. and Marin Ecumenical Housing Assn. (Other examples of

Mishpucka executives are R. Goldstein, v.p. of Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers

Co.) In the 1930’s, the elite promoted Disney’s new cartoons. In 1935, Walt Disney received the French

Legion of Honor for his Mickey Mouse cartoons. Also in 1935, the Queen of England (who readers of my

previous articles will realize is Illuminati, involved in drug trade, and is involved with the leadership of

Freemasonry) and the Duchess of York (also Illuminati) selected Mickey Mouse chinaware as gifts for 600

children. This was after Walt spent time with her in 1934. The League of Nations (the pre-W.W. II equivalent of

the U.N.) took the time to vote its approval of Mickey Mouse. (Finch, Christopher. The Art of Walt Disney from

Mickey Mouse to the Magic Kingdom . NY: Harry N. Abrams, Inc., 1975, p. 53.) There is no doubt that Walt

Disney had talent. There is also no doubt from the record that powerful people wanted to promote him. No

doubt his 320 Masonic membership and his DeMolay activities helped boost his support, and also helped

Walt’s bent toward the occult. Let’s digress just to let people in on Freemasonry’s involvement with acting and

motion pictures. The famous 233 Club was a masonic chapter for actors who were Freemasons. Examples of

actors who were Freemasons include John Aasen, Gene Autry, Monte Blue and Humphrey Bogart, Douglas

McClean, John Wayne. Then there is T.V. DJ Dick Clark. Examples of Motion picture executives who were

Freemasons incl. Ellis G. Arnall (Pres. of the Soc. of Ind. Motion Picture Producers), Will H. Hays (Czar of

motion pictures 1922-45, and Pres. Motion Picture Produces & Distributors of Amer. Inc.), Benj. B. Kahane

(v.p. & dir. Assoc. of Motion Picture Producers, Inc.), Carl Laemmle (Pres. Univ. Pictures Corp til ’36), Frank E.

Mullen ( man. dept of info. RCA, VP NBC ‘39-’46, exec. VP NBC ‘46-’48), David Sarnoff (Chrm. of Bd. Radio

Corp. of Amer. & ,,father" of American television), Jack M. Warner (v.p. of Warner Bros.) and the President &

dir. of Universal Pictures since 1952. The Freemasons have made much of Walt Disney’s membership in their

membership sales pitches. Because the 2 Disney brothers’ chief contributions to the production of Disney

films were the finances and occassionally the ideas used in a film, it is rather misrepresentative of things that

Walt Disney got all the credit for the success and quality of the Disney cartoons. He was showered with 700

awards and honors from important people, including 30 Oscars, and the Presidential Medal of Freedom (in

’64). Walt Disney’s great animators never got the credit they deserved, but no one should forget that Walt was

the driving force that inspired and guided his workers. In 1934, Walt Disney made a cartoon about a goddess

of the Mystery Religions named Persephone. In the cartoon entitled The Goddess of Spring, the goddess

Persephone is captured by Satan as his bride and sent to the underworld, with the agreement she could return

to earth six months of each year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney

premiered the first full-length color cartoon movie "Snow White and the Seven Dwarfs." This cartoon had taken

$1.4 in depression-time money and three years to make. Over 750 artists worked on the film. Walt Disney had

gotten the idea from a silent movie of Snow White which he saw as a boy in 1917. The movie has an

important occult theme to it, and has been used for occult mind-control programming. When the 1940’s got

started, Disney was in financial difficulties. At this point, Nelson Rockefeller hired his cartoon capabilities to

make cartoons for South America, with the idea that South Americans would remain loyal to the American

capitalist hegemony, rather than shift to rising ideologies of fascism/nazism, if they saw Walt Disney cartoons.

In Rio de Janeiro, Brazil on 8/24/42, Disney did its world premiere of Saludo Amigos, a 42 minute feature

about Latin America. Goofy becomes a gaucho, a parrot teaches Donald Duck to dance the samba, as well as

Disney art showing various landscapes of Brazil in the film. However, the film The Three Caballeros, if it was

meant to encourage South American loyalty to American capitalism, completely failed. The Three Caballeros

Walt Disney Page 18 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

showed a sexually lecherous Donald Duck who in bad taste tries to make it with latin women. The mysticism

was also seen as bogus. Although the latin Americans hated the film, the establishment media’s Look

magazine praised it. Another reason that Rockefeller sent Walt to South America was to get him out of the

way so that the government could settle the strike by Disney workers. Nelson Rockefeller was the

government’s Coordinator of Inter-American Affairs, a good position considering how much of South America

the Rockefeller’s controlled. Rockefeller told Disney that Disney couldn’t beat the strikers, but that while Walt

was in South America, FDR would see to it that the strike got settled. When Disney returned he submitted to

the powers that were, and accepted the unions and the mafia’s control. Another change for Walt Disney was

that in 1940, he and Roy turned Disney into a "public corporation" and initially sold 755,000 shares of common

stock. The Illuminati Boston firm of Kidder, Peabody & Co. were the underwriters of the studio’s public stockofferings.

By 1940, the Disney Studio at Burbank had become a miniature city with 1,000 men & women

employees and 20 buildings on a 51 acre tract of land. After the U.S. joined W.W. II, Disney Productions were

made a part of the American military establishment. The very next day after Pearl Harbor, the military moved

onto the Disney Studio, which leads this author to suspect that Disney was already part of the power

establishment prior to the war breaking out. Disney made military movies/cartoons that taught the different

branches of the military many things. They made propaganda movies for the allies. One series of films was

"Why we fight." Disney made movies for the IRS to get people to pay their taxes. Some of the Disney films

were top, secret, and concerned secret military weapons or secret psychological tactics of the Americans. For

instance, one military film was "Army Psycho Therapy" which taught army men how to instill fear, and about

the basics of fear. Another army film was "Prostitution & the War". Another showed a carrier pigeon evading

the Germans.

In 1940, Disney came out with 2 full length animated cartoons, Pinocchio and Fantasia, both of which were

soon used for Illuminati mind-control programming. Fantasia contains Schubert’s sacred Catholic music Ave

Maria, which was used in a concluding segment side to side with the profane Night on Bald Mountain song, as

well as six other classical pieces of orchestra music. As a feature cartoon it was a flop, but as a programming

tool it was fantastic. Fantasia receives a comprehensive explanation of how it is used for mind-control

programming at the end of this chapter. Because an explanation of the use of a Disney film for mind-control is

complex, this explanation is placed at the end of the chapter so that it won’t interrupt the flow of this chapter’s

information. The Pinocchio film has been redone and released 9 times over the years. Some of the next full

length animated films to come out were: The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad

(‘49) Cinderella (1950) Treasure Island (1950) Alice In Wonderland (1951) The Story of Robin Hood & His

Merrie Men (1952) Peter Pan (1953) 20,000 Leagues Under the Sea (1954) Sleeping Beauty (1959) Very

soon after the production of all of these movies, the Illuminati and their intelligence agencies used them for

Illuminati total mind-control programming. To see their misuse as programming scripts one has to understand

how the fantasy worlds of a programmed multiple are created and how the movie scripts are adapted to be

programming scripts. Vol. 2 gave quite a few examples of how Alice In Wonderland and the Wizard of Oz

scripts were used for programming scripts. When Disney had his animal-nature documentaries, he edited and

used narration to give the animals human like characteristics--something he’d already been doing with

animation. Disney played an important part in the Illuminati’s plan to elevate animals and dehumanize

humans. One of the biggest Illuminati kingpins, and leader (Grand Master) of the Prieure de Sion was

frenchman Claude Debussy (bn.1862). Claude Debussy, a Merovingian, was Nautonnier (Navigatorhelmsman)

of the Prieure de Sion from 1885-1918. (See the document Dossiers secrets, planche no. 4, Ordre

de Sion, written about in Holy Blood, Holy Grail.) In 1891, when some secret coded parchments (Merovingian

documents) were found by a french clergyman Sauniere, he was directed by church officials to visit with Emile

Hoffet, an occult acquaintance of Debussy. Debussy was close friends with many of the top french occultists

of his time. He is known to have been a close friend to both the notorious satanists Jules Bois and MacGregor

Mathers. Mathers started the Order of the Golden Dawn. Debussy was also a friend of the infamous Papus

(aka Dr. Gerard Encausse) and W.B. Yeats. Papus was one of the men who during his lifetime was part of the

interlocking occult directorate of occult groups. Claude Debussy put some works of the previous P.d.S. Grand

Master Victor Hugo to music. Debussy and his other powerful occult friends were influential with Monsieur

Philippe, whose Russian occult circle influenced the Russian Czars and Czarinas before Rasputin came

around. Debussy travelled to Russia and Rome. Some of Debussy’s works became operas. Interestingly, Walt

Disney was extremely anxious to make a cartoon using Debussy’s Clair de Lane. The work was done, but it

was never shown to the public. Disney never found a place to use it. It was originally done with animation with

flying cranes for the occult extravaganza Fantasia, but when the Fantasia ended up too long, Clair de Lane

was cut and shelved. It was again planned for the film Make Mine Music, but then Blue Bayou was substituted

in. Walt used the Le Sacre du Printemps (the Rite of Spring) music for Fantasia. This piece of music was

written AS a pagan ritual where a virgin sacrifices herself by dancing to death. Disney’s mobster Gunther

Lessing had threatened Stravinsky if permission weren’t given for Disney to use the piece of music, it would

Walt Disney Page 19 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

be used anyway. Dr. Julian Huxley got involved in the production of Fantasia. Aldous and Julian Huxley are

well known by conspiracy researchers for their roles in the World Order. In the 1940’s and 1950’s, the

Illuminati began using Disney’s Alice In Wonderland and the Wizard of Oz films as programming bases for

their total mind-controlled slaves. Alice in Wonderland had been done many years earlier by the Britisher

William Cameron Menzies (who also did Freemason H.G. Wells’ masonic forecast of the New World Order

entitled "Things to Come" in 1936, and the film Invaders From Mars.). In 1944, Illuminati Kingpin William

Randolph Hearst (with some minor help from others) funded the Motion Picture Alliance, and Walt Disney

became a co-founder and its first Vice-President. In the early 1950’s, Walt turned his attention from animated

cartoons to other projects, such as True-Life-Adventures, television shows, and the creation of Disneyland.

Seal Island was his first true life adventure which was released to the general public on May 4, 1949, and

soon won Walt Disney an Oscar. Alfred and Elma Milotte had shot the film on some Alaskan Islands named

Pribilof Islands. James Algar had put the movie together. In 1952, Walter spelled his named backwards to

create the name of another corporation ,,Retlaw". Roy and his family saw the move as an attempt to cut them

out of the financial picture. In 1954, Walt Disney and ABC made a agreement. ABC would directly invest half a

million US dollars as well as guarantee $4.5 million in loans for the construction of Disneyland. This made

ABC 1/3 owner of Disneyland. In return, Walt Disney agreed to produce a regular television series for ABC.

Remember too that ABC’s president Leonard Goldenstein was a good friend of Ronald Reagan. On July 13,

1955, Walt and Lillian were attempting to celebrate their 30th wedding anniversary at a park and restaurant.

Walt got too drunk to speak into the microphone, so he blew noisemakers into it, while Lillian rushed to pull

him out of view. In 1961, Disney bought out the ABC investment (also labelled Paramount) for $7.5 million with

cash and notes, and to bring this all up to date, later on July 31, 1995, Disney merged with Capital Cities/ABC,

with Disney in nominal control. Actually Capital Cities has long been a CIA front company, so the merger

placed Disney squarely within the CIA ranks, although it had been in bed with them for the CIA’s entire history.

The Illuminati-controlled corporations of Coca-Cola and the drug firm Johnson and Johnson became sponsors

for Disney’s early TV shows. On 7/3/57, the Wall St. Journal announced that Atlas Corp. got 26% interest in

Walt Disney Productions. Walt Disney worked quietly with some consultants on the concepts behind

Disneyland. His brother and nephew tried to prevent the project from happening. Later they requested that

Walt sign over Disneyland, Inc. to Walt Disney Productions, which Walt did. Walt kept 17.25 % of Disneyland

holdings and Walt Disney Productions got the rest. Walt Disney Productions then shared their portion with

others. The man who helped Walt finance Disneyland was the executive vice-pres. of ABC Kintner. Walt

Disney got the Illuminati’s Stanford Research Institute to determine what would be the best site for

Disneyland.

A retired Navy admiral Joe Fowler was in charge of constructing both Disneyland and Walt Disney World. How

do admirals fit into the power structure? Admirals are briefed each day, and are given information concerning

the secret power structure. Most men who are at that military level are Illuminati or at least well controlled by

the system. Within the last few years there has been an intense effort to weed out any admirals who are not

loyal to the Illuminati. Morgan-Evans, who lives in Malibu, and who may be of the famous Morgan clan, was

the one who created the spectacular landscapes for Disneyland, Walt Disney World, and EPCOT in FL.

According to CIA informants opposed to the NWO, CIA contractors were brought in to build the underground

tunnels under Disneyworld in 1977. These contractors were sworn to secrecy, but were only informed on a

need to know basis why the CIA was involved with an amusement park. To work on the secret tunnel project

took an "Above Top Secret" clearance. A major programming center was constructed under Lake Holden.

(Many of the lakes in Florida are named Lake So-and-so, rather than So-and-so Lake.) The tunnel system was

built for programming trauma-based total mind-controlled slaves. It was built of concrete with steel

reinforcement. Lake Holden lies just to the northwest side of the Orlando International Airport and just south of

Interstate 4. (It is close to Range 29E on quad maps.) It is only (as the crow flies) about 12 miles from

Disneyworld. In spite of Draconian measures of secrecy, numerous lawsuits (Fed. & State) were filed over the

years by victims trying to expose the Disneyworld programming tunnels, so that finally the programming center

was dismantled, cleaned up and a ,,maintenance" tunnel level and a ,,casting" tunnel level were opened to the

public. During its heyday, the programmers (military & intelligence men) had exotic offices underground with

unusual programming equipment. It doesn’t take any imagination to realize that if Disney carried mind-control

programming above and below ground, that they would need tight security forces to protect their secrets.

Indeed, such is the case. Disney amusement parks have been granted draconian powers wherever they have

been built! The Disney parks have also employed armies of spies dressed like tourists to spy on Disney’s

employees! If amusement park workers did anything slightly out of place, they were (and still are) reported by

the spies in the camp, and they often have lost their jobs. For instance, one ex-worker, who had 10 years with

Disney, was caught discussing his divorce with another worker. Since divorce doesn’t fit the wholesome image

that Disney wants, when the spy dressed as a tourist reported his conversation, he lost his job. Many workers

Walt Disney Page 20 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

have tried to tell their personal horror stories of Disney’s draconian rules and their draconian private police

force, but most of the time Disney has had the power to suppress and intimidate away any bad publicity. An

exception to that is the recent Nov. 4, ‘96 Napa Valley Register article on page 2D entitled, "Critics of

Disneyland Say Security Abusive Inside Magic Kingdom." UCLA law professor David Sklansky commented

about Disney’s police, "One of the major problems we have is nobody really knows what they are doing- how

often they stop, interrogate or search people. They are not subject to the same sort of regulatory controls." It’s

almost superfluous to tell readers that Disney’s amusement park with it’s theme areas such as Fantasyland,

Tomorrow land and Adventure land were a great success. Everyone worldwide was curious to visit this

entertainment Mecca to participate in something that had a clean, wholesome image to it. The entire world

system pulled together to insure that Disneyland got the image and publicity that the top 13 Illuminati families

and the various syndicates wanted it to have. For 40 years they’ve done this. When something that everyone

thinks is clean and wholesome is not attacked by the world system that should raise eyebrows among thinking

people. Home schooling, learning to read phonetically and other wholesome activities for children have been

viciously attacked and ridiculed by the established media. Why has Disney gone untouched? Disney Studios

for years strove to have a very clean image. Workers had dress codes, and any activity on the part of

employees that wasn’t morally conservative was grounds for instant dismissal. Of course, the exceptions were

well covered up, such as an employee who used hypnosis to get quite a few of the females employees to

undress until nude. John L. Hulteng, author of The Messenger’s Motives (Englewood Cliff, NJ: Prentice-Hall,

1976, p. 213) informs us, "As communication researchers have emphasized, the greatest impact the media

have on the formation or change of public opinion is in terms of impressions built up over a long period." [bold

added] The wholesomeness of Disney is an image that has been built over a long period of time. Disney’s

occult themes of world citizenship, witchcraft, humanism and idolatry have also been long running impressions

that have been craftively perpetrated upon this nation, so long that they began prior to this author’s --&

probably the reader’s-- birth.

People don’t associate movie’s like Consenting Adults with Disney, or The Corpse Had a Familiar Face with

Disney. In fact as previously mentioned, when Disney wanted to put out more "adult" films, they did a slight of

hand and created the label Touchstone films so that people wouldn’t associate movies like Splash (which

showed what looked like bared breasts) with Disney Productions. Another label, Hollywood Pictures, was

created by Disney to help distribute Touchstone films. At first the personnel of these companies was simply

Disney’s staff, but as time went on, they got their own production personnel.

On Oct. 27, 1954, Walt Disney’s Wonderful World of Color debuted on television. The TV show celebrated

Disney’s movie triumphs. The words Wonderful World of Color are not ill chosen. According to an Illuminati

mind-control programmer, when Disney worked on his cartoons, and amusement parks, colors --special colors

and color combinations--were specifically chosen for mind-control programming purposes. Wonderful World of

Color under various names such as Disneyland aired for 22 years over the television networks. In 1955, Walt

Disney made his cartoon character Mickey Mouse real by creating a fan club--the Mickey Mouse Club, which

aired five days a week usually just as children came home from school. Twenty-four children called

mouseketeers would help Mickey, and they would dance and sing and do skits. The Mickey Mouse Club

adored the unique, cute little beanie Mickey Mouse caps with their big ears mounted to each side of the

beanie. In the 1950’s, most kid viewers of the show wanted their own "Mouse Ears" and to become a

Mouseketeer, especially children who were receiving Mickey Mouse scripts in their total mind-control

programming. Disney used his Mouseketeers to play all the roles in an Oz movie Rainbow Road to Oz, which

was never shown to the public. Adults today (both men & women) who received Mickey Mouse programming

during the 50’s through 70’s can still be seen with Mickey Mouse clocks, watches, lampshades, knick-knacks,

tee shirts, etc. Years later the kids who watched can still remember "Spin and Marty" and the Mickey Mouse

theme song. The image that everything was perfect including Mickey was portrayed by the Club’s T.V.

program. Still somehow the American people began to use the word "Mickey Mouse" as a synonym for a silly,

pretend way of doing things. It became common for people to say, "He mickey-moused it together." to mean

he did a poor job putting it together. On Jan. 30, 1957, Walt Disney had a television show aired entitled "All

About Magic" where a Magic Mirror explains about magic. The Magic Mirror also contains a "Bibbidi-bibbidi-

Boo" sequence. In 1959, Disney bought 8 small submarines from Todd Shipyards for $2, 150.000.

When ABC wouldn’t let Walt make a TV series out of a storyline where a magic ring changes a boy into a dog

(a mind-control programming theme)--because ABC didn’t think the public could swallow the story line--Walt

quit ABC for NBC. Walt then made a scaled down version of this occult storyline entitled The Shaggy Dog.

Early in the 1960’s, Walt and his brother Roy went secretly looking for an area on the east coast to build

another Disney Park. Walt the younger of the two, died in 1966, and Roy finished the project. Beginning in

1964, 30,000 acres were secretly purchased at $200 an acre in the Orlando, FL area just west of NASA’s

Walt Disney Page 21 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Cape Kennedy. Using phoney names and paying cash, Disney buyers bought the land and swore the sellers

to secrecy. The Magic Kingdom has been multiplying. In 1971, Walt Disney World was opened to the public.

Bob Hope and others participated in a Disney special on Oct. 29, 1971 "Grand opening of Walt Disney World".

From the time of its opening until Oct. 12, 1995, Disney World calculated 1/2 billion people visited

DisneyWorld. This amusement park is in Orlando, FL on over 27,400 acres and includes the EPCOT Center

(now also called simply Epcot). The EPCOT center was another dream of Walt Disney’s (albeit more than

slightly modified from Walt’s original EPCOT ideas.) EPCOT originally stood for Experimental Prototype

Community of Tomorrow. It was to be an extension of the massive mind-control being carried out at Disney

World. The original EPCOT city designed by Walt was to carry on its commerce (traffic) via underground roads

and tunnels like the Disney Theme parks. After Walt Disney died, his successors changed the proposed

experimental city into another theme park simply called Epcot. It is not unusual to see crowds of over 48,000

people descend on Walt Disney World and the EPCOT center in a single day. Some visitors arrive via a

monorail. Visitors can buy 5-Day World Hopper passes which allow them to bounce around with admission to

all the sites for a seven day period. In other words, some families stay for a week at Disneyworld. Hardcore

visitors can get Annual Passports which provide unlimited use of Walt Disneyworld for an entire year.

In reality, many visitors to Disneyworld begin the day enthusiastic and after a day of hot sun and waiting in

long lines with large crowds for imitations of reality, the tourists are zombie-like and looking forward to getting

back to their hotels. Many people have felt the rides were not nearly what they expected. Some of the rides

are better than others, and some typically get comments like, "It was stupid." Some of the spooky events like

Snow White’s Adventures, or the oversized heads of the Disney characters walking around can leave the little

preschool children terrified and dazed for the rest of the day. In contrast, older children, who normally rarely

show patience at home may show how much they want to go on a particular Disney ride, by waiting an hour

and a half in the hot sun for a ride. Alien Encounter is a Walt Disneyland feature that invites tourists in for a

"demonstration of interplanetary teleportation." When the "demonstration" as planned "breaks down"

an ,,alien" with asocial traits appears among the audience and terrorizes the audience. A cute creature is

hideously fried, deformed, and then vomited into space screaming. Here are some comments from visitors to

this Walt Disneyland attraction:

· "Alien Encounter ...is one of those rides I can say I’ve seen and that I have no intention of ever doing again.

In fact, parents who take children under the age of six should be brought up on child abuse." Woman, from MI

· "Alien Encounter was the WORST experience for my 10-year-old (and almost every child in there). It starts

out cute enough during the preshow, but the actual show is a disaster for children. My daughter screamed and

cried in terror throughout it. I thought the Disney warnings were vague and inaccurate. When we left, there

wasn’t one child with dry eyes (even sturdy looking 12-year-old boys were crying.). I think an age requirement

of 13 or 14 is more appropriate. I talked to a few adults and we even agreed that the special effects were

extremely unpleasant even for us. This show is not a Disney family experience--its ATROCIOUS!!" A mother

from Phillipsburg, NJ.

· "We did go to Alien Encounter...The preshow is deceiving. It kind of lulls you into thinking "this isn’t so bad."

When the main part came up, I admit the experience gave me the absolute heebie-jeebies. . .I am never doing

that presentation again--it was way too intense for me, and I’m now 27 years of age!--from a family in Laurel,

MD Michael Eisner, the President of Walt Disney Co., initially rejected Alien Encounter for not being scary

enough when it was being considered as an addition to Disneyworld. One wonders what he would have liked!

Snow White’s Adventures, which was an attraction at Disneyland, was one of what the Disney people called

"dark rides". After a while a sign appeared with a witch warning people that the attraction was scary. Later in

1983, they renamed it Snow White’s Scary Adventures. It might be interesting to point out that when the

original Snow White and Seven Dwaffs film came out, that England forbid the film to be seen by any child

under 16 unless accompanied by an adult because of the scary content of the movie. How far we have come

since then. Schools in the Florida and California areas also make field trips to the Magic Kingdom that are

arranged with Disney. EPCOT receives tens of thousands of children this way during March, September and

October. High schools use the Magic Kingdom for proms or senior nights, and some couples use the facilities

of the Magic Kingdom for weddings. Modem Bride ranked Orlando as the number-one honeymoon destination

in the world. Group discussions of people who took honeymoons to DisneyWorld have had a consensus that

the hype is not as great as the reality. Some weddings are done with cartoon characters. Disney offers "fairy-

Walt Disney Page 22 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

tale" wedding packages. A great deal for two mind-controlled slaves. They can reinforce their programming

while getting married. The Disney fairy-tale wedding typically has its ceremony on a pavilion on an island in

the Seven Seas Lagoon with the Cinderella Castle as a backdrop. The fairy-tale wedding can then be followed

with a Fantasy reception with a choice of themes such as Beauty & the Beast or Aladdin. The fantasy

programming can continue as the bride is delivered to a "Cinderella’s Ball" by an actual glass carriage drawn

by six white Disney ponies. A costumed fairy-godmother & stepsisters are also at the ball. Desert is served in

a white chocolate slipper.

One of the after-dark shows is IllumiNations which consists of music, fireworks, erupting fountains, special

lighting, and laser technology done at the World Showcase Lagoon. EPCOT has a show Cranium Command

at the Wonders of Life in the Future World section where guests sit in a theater that functions as a command

control room for a boy’s brain. In 1980, Disney came out with the box office flop The Devil & Max Devlin. In

1984, Roy E. Disney brought in Michael Milken, of junk bond fame to help Disney out financially. In 1985,

Disney bought MGM’s rights to Leo the Lion logo and began using the MGM Wizard of Oz material. Later a

remake of Alice In Wonderland came out in the modern motif of Honey I Shrank the Kids. In the 1990’s,

Illuminati controlled companies continued their promotion of Disney. For instance, the Nestle family’s Nestle

company promotes Disney movies on their chocolate bars. The Nestle family is exposed in this author’s

booklet Illuminati Control Over Foods and Grains, p. 4 as one of the elite Black Nobility families. In 1996, Walt

Disney World created an actual residential town named Celebration on its property. This self-contained

community has 20,000 and a school, a theater, a fiber optic information network linking business, as well as

other features.

SOME DISNEY people of interest.

Over the years, the close associates of the Disneys’ are very revealing. The public can get a feel for Disney’s

attitude toward Illuminati bloodlines in the Disney movie The Happiest Millionaire which is about Anthony J.

Drexel Biddle and Angie Duke. Readers of this author’s previous writings will recognize the Biddle and Duke

names. In fact, the movie was based loosely on a book written by Cordelia Drexel Biddle about the Biddles.

X Atensio. His first name was Xavier, but was nicknamed and called X. He worked on the haunted mansion of

Disneyland with WED enterprises. He joined Disney in 1938, and was an assistant animator of Fantasia.

Warren Beatty. (b. 1937 in VA) This actor is from the Illuminati Beatty family and starred in Disney’s Dick

Tracy. The Dick Tracy film uses color in a special way, and this ties in with the color programming of the mindcontrol.

Some total mind-controlled slaves have programming based on Disney’s Dick Tracy movie for them to

track down and kill "targets" (people). Warren’s sister is the famous (or infamous) Shirley Maclaine. Shirley

"MacClaine" is not what she appears. Her father was a professor who was a CIA asset. She was used by the

CIA as a sex slave. She became popular with the studios because she went to bed with the correct people.

Her talents were used to get her as an intelligence slave into places that an obvious intelligence agent couldn’t

go. She was married to a man in the NSA for nearly 20 years. Her adopted name Maclaine (reportedly her

mother’s maiden name) is a pun on McLain,, VA where the CIA programmed her. She was used by the CIA in

an operation in Australia, where the CIA used her as a sex slave to compromise Andrew Peacock, an

Australian MP,, so that they could establish the Nugen-Hand bank for their dirty money laundering etc. She is

a friend with Satanist Stephen Nance who has provided her with some of her teachings. Lowell McGovern

writes her material. The CIA has programmed many of their New Age slaves to adore Shirley MacLaine. An

example of this is Christa Tilton, one of their mind-controlled slaves, who revealed in an interview how she

considered herself a born-again Christian who had spent most of her life in Oklahoma, but had mysteriously

been drawn to Shirley MacLaine. During her life she has gotten repeated "psychic urgings"--that is strong

urges to do things and go places, which she doesn’t understand where these urgings came from. After

hypnosis, Christa drew pictures of the doctor who programmed her. Christa has had a federal agent monitor

her constantly. Her husband has seen this agent, who has shown up on her door step and made calls to her.

She names the agent John Wallis (most likely a cover name). This agent has a complete knowledge of her

life, and government agents have taken photos of her during her supposedly "alien abduction" experiences.

Christa is just one of hundreds of victims who have been programmed to adore Shirley MacLaine. (Christa is

Walt Disney Page 23 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

mentioned here because she is one case that this author is familiar with.) Warren Beatty, who peppers his

speech with four-letter words was a student at the Stella Adler Theater Studio in NYC.

Black, Shirley Temple. Shirley Temple Black sat on the Disney board of directors (74-75). Her films were used

for some of the early 40’s and ‘50’s programming and teaching slaves body movements/dance. She married

someone in an elite Network family from San Francisco named Charles A. Black. Charles A. Black was a Lt.

Col. in the Pentagon who lived at Bethesda, MD. Was Shirley an early example of brain-stem scarring to get

geniuses? Shirley’s brother appears to have developed "Multiple Sclerosis" from brain stem-scarring. It was

Shirley Temple who co-founded the International Federation of Multiple Sclerosis Societies, and was a

member of its exec. committee. Shirley represented the U.S. at the UN General Assembly in 1969, belongs to

the Sierra Club, and has been decorated with the Cross of Malta. Shirley has shown clues that she may be an

Illuminati mind-controlled child protege.

Stephen Bollenbach. Bollenbach was part of Walt Disney management, and was a key figure who helped

engineer Disney’s $19 billion buyout of the CIA’s Capital Cities/ABC, as well as sell the idea to Eisner. He is

the CEO of the Network’s Hilton Hotels Corp. He recently has been involved with trying to buy ITT, in order to

put together the world’s largest hotel-casino combination. Bollenbach has an extensive background with the

gaming-gambling industry. When the Justice Dept. began looking into the merger of Disney with Cap.

Cities/ABC, Bollenbach resigned his Disney position. Some people feel his resignation was needed for Disney

to get the Justice Dept. to approve the merger, because his past was vulnerable to be exposed.

Warren Buffett. A major stockholder in Walt Disney. He also owns 40% of Berkshire Hathaway Inc. which also

owns lots of shares of Disney stock. According to S.F. Examiner, Buffett himself owns 24 million shares of

Disney. Warren Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave abusers who were exposed in

the Nebraska Saving & Loan scandal. He is perhaps the second richest man in the nation, and too powerful

for anyone to touch. In the kingpin vs. kingpin battles, some people close to the inside see Buffett as a good

guy. Readers need to study the Lincoln Savings & Loan scandal and the scandals connection to programmed

child slaves at Boy’s Town to get more information on this Disney stockholder. Robert G. Hagstrom, Jr., who is

the portfolio manager of the mutual fund Focus Trust, which has shares in Walt Disney, wrote the book The

Warren Buffett Way. Hagstrom has a chapter on Disney in his The Warren Buffett Way. He quotes Buffett as

extremely enthusiastic about Disney’s merger with Capital Cities/ABC. Because of his enthusiasm Buffett

says, ,,The odds are extremely high that we will have a very large amount of Disney stock."

Salvador Dali--This strange surrealist spanish artist was a friend of Walt Disney. After Salvador was kicked out

of Spain for Franco’s belief that he was a communist, he came to America, and worked with Disney Studios in

1946. Salvador, an eccentric who had no particular work habits, described himself, "The only difference

between me and a madman is that I’m not a madman."

The Tommy Dorsey Band--This band has had a number of men in it who are Mind-control slave abusers

associated with the Network. Frank Sinatra, a sexual slave user, got his big break with this band. This band

performed at Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was part of the Network’s in-crowd.

When he was on a USO Tour with Bob Hope, he stabbed actor Joe Hall and threw him out of a window. Joe

had to have 32 stitches. But Joe didn’t get justice, the judge dismissed his case against Tommy.

Michael Dammann Eisner, Chairman at Disney is a CIA asset and connected to the mob. Some insiders

believe he is connected to elements of the CIA & mob that are anti-NWO. Even so, these anti-NWO factions

also employ mind-control. Eisner ignored a threat by Red China to boycott Disney products if he made a

movie about the nation Tibet that China controls with draconian force. The U.N., the Commerce Dept. and the

State Dept. all tried unsuccessfully to get him to back down on the film. A paper trail connecting Michael

Walt Disney Page 24 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Eisner and Walt Disney Co. to mind control is their support of the Boys & Girls Club of Napa Valley, which is

used for a supply of children for pedophilia and mind-control. The Boy’s & Girls Club is used to supply caddies

for the Silverado Country Club, where these children are also used as mind-controlled slaves for the sexual

perversions of the elite. Notice that Napa’s Silverado Country Club invites in celebrities (such as CIA asset Pat

Boone, Joe DiMaggio ex-husband of sex slave Marilyn Monroe, Engelbert Humberdinck a slave handler,

Digger Phelps Notre Dame’s coach who uses slaves, and Jack Vale nti CEO of Motion Picture Assoc. &

Bohemian Grover) for a golf tournament which is billed as a ,,benefit for the Boys & Girls Club". The benefit for

child slaves is they get to caddie & sexually service elite perverts. Michael (bn. March 7, ‘42 in NY) came from

old American money of a family that has been rich merchants and lawyers. Michael grew up in luxurious Park

Ave. as well as his family’s "country place" in Bedford Hills near Mt. Kisco, NY. He went to an elite private

school Allen-Stevenson, which is famous for its children’s orchestra. At the age of 14, he then went to

Lawrenceville School, which is a prep-school for Princeton, whose tuition in ‘56 was $3,000. Eisner’s class

incl. NY’s governor’s son, and other sons of powerful men, such as the son of Saudi Prince Turqi al-Faisal.

The school is a prep school for the establishment’s entertainment industry. Students are only allowed to see

their parents on major holidays. Eisner was in the Periweg Club, the school’s drama society. His poor

scholastic performance meant that he had to go to a small liberal arts college, rather than Princeton or

Harvard such as was family tradition. For instance, his grandfather had attended Phillips Exerter Academy and

Harvard. His grandfather has serve in many govt. commissions and belonged to the Harvard Club, the

American Club in London as well as some yacht clubs. Between his junior & senior year in high school, Eisner

was a page at NBC’s HQ in the Rockefeller Center. In 1966, he landed a job in the programming department

of ABC. He had an influential position. Eisner had one good break for deciding TV programming. He was 21

when the target audience was 21 years old, and when he was 35, the target age of the film industry was then

35.

He has been described as having "supernatural enthusiasm" coupled to a lifetime quest for untested ideas.

Rich H. Frank, was Executive Vice-President with Walt Disney until his sudden resignation about a year

before this was written. He worked side by side with Katzenberg and left after Katzenberg resigned in a

dispute with Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s TV-Media Division. He

acquired the estate of VanHoffenwiggen, when VanHoffenwiggen fled the country and vanished when

Lendvest began to be exposed. VanHoffenwiggen was a major figure involved with Lendvest Mortgage Inc., a

drug-laundering operation and drug smuggling operation operating out of Napa Valley. It was also the fastest

growing real estate mortgage company in northern California until its drug smuggling began to be exposed.

Lendvest did some tricks ala Nugen Hand Bank. Millions of dollars of investors and creditors have

disappeared leaving lots of hurting people, and the mortgage company filed for protection from creditors in

U.S. Bankruptcy court, and is still in operation. International financier Edmond Safra’s private bank, the

Republic National Bank of NY, launders money from the Medellin drug cartel. Safra’s bank sent Lendvest lots

of crisp new $100 bills. The Safras are tied in with the Rothschilds. (The Safras are reportedly recent property

owners in St. Helena near Napa (through Good Wine Co. which is the Spring Mountain Wineries), near where

Lendvest was HQed. Edmond’s nephew, Jacob Safra, has a partnership in Napa Valley’s Good Wine Co. The

Rothschild’s Citicorp gave Republic National Bank the transaction ability to issue international (world) bearer

bonds ("bank notes") The Luxembourg/Belgium branch of Bank Nacional de Paris issued a bearer bond that

was connected the Lendvest drug running operation. In Britain, a U.S. citizen Mike Spire ran the British

operation of Lendvest and InVest. LandVest’s parent was InVest which has operated in the U.K., Switz., Saudi

Arabia & Paraguay. Long story made short, Lendvest has been an international CIA-Mafia drug running

operation, with Illuminati overtones and connections to it. With all this in mind, it is strange, that Walt Disney’s

President of its TV-Media Division, Rich Frank, bought the palatial mansion of John 0. VanHoffenwiggen after

VanHoffenwiggen disappeared from the country when indictments and arrests began to be made of people

connected to Lendvest. According to insiders, Rich Frank is also one of a number of Napa Valley people

involved in illegal labelling of wines. Rich Frank was a key figure in Disney’s programming venture with three

regional Bell Telephone companies (Ameritech, Bell South, & SBC Commun.) coming together. Bell

Telephone wanted to get into cable TV. Michael Ovitz formed a rival group of 3 other Bell Telephone co.s.

Calvin Robinson, who tied in with Land Vest, worked with Boyce, who in turn worked for TRW Co., in Redondo

Beach, CA. Boyce was sentenced to 40 years for selling US surveillance secrets to the soviets.

Daniel Hillis, the co-founder of a supercomputer producer Thinking Machines from MIT, is in charge of the

Walt Disney Page 25 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

Walt Disney Imagineering unit. Hillis helped Disney develop a virtual-reality ride at Disneyland based on the

Aladdin cartoon.

Jeffrey Katzenberg, has been the chairman of Disney’s movie studio, is an aggressive worker, a model Type A

person. ,,Ask 50 people to describe Jeffrey Katzenberg, and most will say tenacious. ‘If Jeffrey were any more

aggressive, he’d be in jail." says the producer Dan Melnick." ( Harmetz, Aljean, "Who Makes Disney Run?",

NY Times. Feb. 7, ‘88, p. 29.) Katzenberg is the father of twins, which people joke was typical of his efficiency.

Katzenberg supervised the production of Star Trek. Most of his movies have been box office successes. In the

‘70’s, Katzenberg worked for NY Mayor John Lindsay.

Sanford Martin Litvack. Sanford is the Executive Vice Pres. of Disney and in charge of "Human Resources" for

the corporation. He is a jewish lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the bd of

dir, of Bet Tzedek.

Vincent Price. Price has been one of the major influential occultists who has provided the world with many

occult horror books and scripts. He worked for Disney some, and was the voice for Ratigan in The Great

Mouse Detective. Vincent Price’s good friend John Hay Whitney is an Illuminati kingpin and vice-pres. of the

Pilgrim Society and was raised into the Illuminati through the Yale Scroll & Key fraternity. His friend Whitney

likes horror movies.

The Osmond Brothers. Merrill Osmond’s boys were "discovered" at Disneyland when they were visiting the

site in 1962. The Disney people on Main St. just "happened" to recognize the talent of the five boys and

signed them up soon for their first professional singing contract. The Osmond Boys did some television

appearances for Disneyland such as Meet Me at Disneyland, and Disneyland after Dark. (Considering the

mind-control programming done to these Osmund children, these TV shows were a cruel joke.) Of the singing

Osmond kids, Donny is the next to the youngest, and his sister Marie is the youngest. Both Donny and his

sister Marie are programmed multiples who are slaves, who have been subjected to a lot of abuse. They have

good front alters. Their father has made millions from drugs, porn and white slavery and is part of the Mormon

Illuminati front. The Mormon front of the Illuminati has gotten a lot of good publicity off of the Osmonds. They

sang for Andy Williams whose french wife was once arraigned on murder charges. Later they sang for the

satanic Network’s Lawrence Welk show. Swedish accented Lawrence Welk has been part of the Network.

Marie Osmond has grown up, and she has adopted 3 of her 5 children in spite of her busy singing schedule

which includes approx. 200 singing shows a year at places like Mafia controlled Atlantic City. In terms of occult

families, adopted children are often programmed children, so this is a clue that her children have been

programmed too.

Michael Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until near the end of ‘96. Michael Ovitz was

a high school classmate in VanNuys, CA with Michael Milken (later the junk-bond wizard), & there are many of

the same people connected to both men. When Michael Ovitz’s National Mercantile Bancorp (a saving & loan)

began getting into the quicksand of several lawsuits & scandals, attorney Robert Strauss represented him.

Illuminati member Robert Strauss has been a lawyer connected with drug running & the mafia. He was also an

FBI agent from ‘41 to ‘45 with Hoover. He is admitted to the Wash. D.C. bar. Pres. Bush appointed him U.S.

Ambassador to Russia. He has been on the board of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland

(ADM), and General Instruments (which have been exposed in other writings by this author.) He was also a

board member of the Illuminati-mafia run MCA. Strauss is seen in Wash. D.C. as a behind the scenes power

broker. Strauss represented Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon, who made a

$600 mil. killing off of the 1st Gibraltar S&L. Strauss represented MCA, which the Bronfmans took over in

1995. The book Knoedelsder, William. Stiffed-The True Story of MCA, The Music Business, and the Mafia.

NY: HarperCollins Pub., 1993, does an good job of connecting MCA to the mob, the Network, and Iran Contra.

See especially page 442. Time magazine 2/24/97 carried a page long story about Michael Ovitz being out of a

Walt Disney Page 26 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

job. In the article, they reported that he was spending time on his new yacht The Illusion, visiting Joe Silver’s

estate in So. Carolina, visiting his property in Aspen, CO, and eating lunch with investment adviser Richard

Salomon of Spears, Benzak, Salomon & Farrell. Gordon Crawford of the Capital Group is quoted in the article

praising Ovitz, and saying he would invest in an Ovitz venture. Ovitz is believed to be mafia by people in a

place to know. He has also been known to threaten people using mafia terms, for instance, Vanity Fair (12/’96,

p. 272) reports Ovitz threatening Bernie Brillstein, a producer, with his "foot solders". The San Francisco

Chronicle (Fri., 1/26/’96, p. D20) quotes the latest issue of Columbia Journalism Review about an incident

where a reporter Anita Busch who was investigating Ovitz got violently sick from the MSG in her food as she

interviewed him. To top off it all off, Ovitz followed up her story which questioned his actions, by sending her a

gift wrapped package of MSG with a one-word note: "Enjoy.". Michael Ovitz has had the clout to deal with

Illuminati kingpin Edgar Bronfman head to head. He requested & got Bronfman to keep his dad employed,

which was dutifully done. Edgar Bronfman Jr. had seriously considered having Ovitz head Seagram’s

MCA/Universal conglomerate.

Frank G. Wells. Frank was the President & the Chief Operating Officer of The Walt Disney Co. Wells was also

on Disney’s board of directors. He was a Rhodes Scholar, and a lawyer in 1955. Those who have read

previous books (such as Vol. 1) by this author know how the Rhodes Scholars fit into things & are part of the

Illuminati. He worked closely with Eisner & Katzenberg. Frank died in a helicopter crash in the spring of 1994

while heli-skiing in Nevada. His surviving sister is Molly Wells Chappellet who runs around in Illuminati circles.

Molly Wells Chappellet has been featured several times in Betty Knight Scripp’s magazine Appellation. Betty

Knight Scripp was married to a Bohemian Grove member. Betty has been good friends with: the late Pamela

Harriman (who was a recent U.S. ambassador to France & connected to the Rothschilds), as well as good

friends with Her Imperial Highness the Grand Duchess of Vladmir of Russia, who owns the Chateau Margaux

in Bordeaux. Betty Scripps personally monitors with care what is put into her incredible magazine Appellation.

She has a column "Who’s Who in the Wine Country" where the Chappellets have appeared in print numerous

times.

Nearly all of Disney’s 1920 movies had a black cat in them. Many had occult slants to the scripts. The occult

slant never departed from Disney themes.

Some of DISNEY’S blatantly OCCULT MOVIES.

Aladdin. A wisecracking all-powerful genie is shown.

Bednobs & Broomsticks. (1971) A witch finds a magic formula from a lion king. The magic formula raises a

ghostly army of armor in a museum, which stops a band of German commandos.

Beyond Witch Mountain. (1982) A pair of twins leave Witch’s Mountain and have to use their special occult

powers to outwit a character named Deranian.

Black Cauldron, The. (1985), A Horned King uses his magic to fight a clairvoyant pig and the pig’s keeper.

This animation cost $25 million, but was a box office failure.

Bride of Boogedy. (1987) An evil spirit visits the Davis family and puts the father under a spell. Directed by Oz

Scott.

Child of Glass. (1978) A glass doll must be found to set a ghost free in a haunted house.

Gnome-Mobi1e, The (1967). A multimillionaire and his grandchildren encounter gnomes. In the end the

multimillionaire deeds the forest to the gnomes for eternity.

Halloween Hall of Fame (1977). Jack-o-lanterns come to life.

Halloween Treat (1982). Cartoons about Halloween. This was followed the next year with a film Haunted

Halloween which talked about the origins of Halloween.

Misadventures of Merlin Jones. (1964) A genius tries to help other students. He tries to also use hypnotism &

Walt Disney Page 27 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

ESP which backfire on him.

Richest Cat in the World. (1986) A wealthy man leaves his fortune to his cat, who the relatives later discover

can talk.

H. DISNEY & its MOB connections

When this author spoke to the co-author’s deeper Illuminati alters about Disney, their reaction was that Disney

had been described to them when they were in the Illuminati as "a syndicate within a syndicate." They said

that while in the Illuminati, they were aware that Disneyland had their own government, their own rules and

their own police force. They were a crime syndicate within a syndicate. What these Illuminati alters casually

mentioned, was verified by this author the hard way through research. One Disneyland Security Supervisor

said, "There is no Constitution at Disneyland. We have our own laws." Once, when Walt Disney got miffed at a

Hollywood policeman, Walt said, "I’ll have your badge." If Disney guards decide to, they will get very rough

physically with people, and assault them in any fashion they see fit. The people they detain are often thrown

into tiny cells at Disneyland where they are kept without benefit of a phone call, without benefit of a toilet or

water. The judicial system turns a blind eye to whatever Disney police do. Many people pay Disney to get their

children out of a Disney cell, and never get due process of any law. This type of treatment has gone on for

decades, and is almost a daily occurrence at Disneyland. The Anaheim Police force is very chummy with the

Disney private police force. Also at one point, the Burbank Chief of Police was the brother-in-law to Disney’s

Chief of Security. Recently, when a couple filed a wrongful death suit against the Magic Kingdom of Disney in

Florida, the state of Florida surprisingly has appeared to have backed off from their traditional behavior of

protecting Disney’s sovereignty. An article on the suit said, ""there is evidence of some nervousness with

Disney’s relative autonomy."" (San Francisco Chronicle, article "Mickey’s Dark Side" Oct. 1, ‘96, p. C6) An

attorney in the case said, "Disney World’s security people aren’t just cops, they are bad ones. I don’t think

there is any corporation that has ever had the perceived power that Disney has." Richard Foglesong, a

professor of politics at Rollins College in Winter Park stated, "Because Disney World controls so much of its

corporate and municipal universe, it can’t help but act in a heavy-handed manner in order to ferociously

protect its self-interest. They have immunity from state and local land use law. They can build a nuclear plant,

distribute alcohol. They have powers local communities don’t have. Do they abuse it? In my opinion, yes." In

line with Disney’s previous dictatorial policies on their properties, Disney’s new city called Celebration will not

have any elected government. Since the city is unincorporated (a neat Disney trick) the mayor is appointed by

Disney. Several Disney "quasi-government’" bodies control citizens of the city. For instance, the Celebration

Residential Owners Association, which participates in binding all residents to a Declaration of Covenants, a

legal binder of rules that residents must live by. Of course the Declaration of Covenants was written by

Disney. These rules include such nit picky things as, no more than two people can sleep in the same

bedroom, no pickup trucks can be parked in front of homes, and if Disney officials don’t like your cat or dog

they can forcibly remove the animal from your home. Disney Corp. has perpetrated numerous deceptions on

the residents, incl. shoddy work on their homes, and operating their ""public"" school with Disney cronies. Still,

the residents that have moved into Celebration are glowing with praise for the town in spite of the fact that the

city is totally run by Big Brother Disney Corp. Of course those who don’t love it, soon leave. So much for the

American tradition of self-government.

Some MOB HISTORY

Traditionally, the mob crime bosses have had a yearly summit. In 1928, they had their yearly conclave at

Cleveland. In 1929, they had their secret yearly conclave at Atlantic City. In 1931, they held their secret annual

conclave at Wappingers Falls, NY. At the Wappingers Falls meeting, attended by about 300 overlords and

soldiers, the heads of the family clans discussed their crime family agendas. They decided where the first

national Mafia convention was to be held. Once the Mafia was able to hold their yearly private national

meetings, they were able to coordinate their activities, as well as decide such things as:

a. The direction of national & internal operations, and long range plans

b. The promotion of new bosses

c. Decisions on turf & rank, commodities & cash

Walt Disney Page 28 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

d. Hashing out alliances or disputes with the Mishpucka, Triads, FBI, Illuminati, etc. and working with others in

a concerted manner. The mafia clans would then leave the annual summit meetings and follow through in their

area of operations, until they would meet the next year, review their successes & failures, get new

assignments, and decide upon new short & long term goals. In 1927, the Mishpucka worked with Mafia to

highjack a bootleg shipment of whiskey travelling from Ireland to Boston for the Kennedy Illuminati family.

Most of Kennedy’s guards were killed in the shootout, and J.P. Kennedy had the widows of the guards

besieging him for financial assistance. Billy Graham’s good friend Mafia Chief Joseph Bonanno was one of the

chiefs who attended the yearly conclaves. He also met with J.F. Kennedy in the Winter of 1959. John Kennedy

was known to have said that mobster Sam Giancana worked for his Kennedy family. The mob/Illuminati

alliances and infighting are too complex to deal with in this book, but both groups had to put plans into action

to deal with the repeal of Prohibition, which would end their lucrative bootlegging. The short term plan for the

Mafia was to control the film industry in Hollywood, and to penetrate the unions better. The long term plans

called for sending their next few generations of children off to the top schools and getting them into legitimate

respectable corporate positions. By learning the ins and outs of honest, legal operations, they could then mix

in the illegal operations with their legal ones & look legal. They planned to extend their power base into

politics, the Harvard-Stanford business schools, as well as the finest corporate board rooms. They intended

(and have succeeded) in getting some of their offspring to produce/direct T.V./films. They would have an

increasing presence within the Bohemian Grove membership, as well as some of the other great social &

business clubs. Their plan to take over the film industry hinged on their union control over unions and theaters.

The Chicago mob controlled the International Alliance of Theatrical Stage Employees Union. The mob

controlled the projectionist’s union, and if the film makers had the theaters where their movies were shown

shut down, what good would it be to make movies? The film makers and the mafia both had power & money.

Rather than fight a protracted war, they made a deal. The major studios would give about $50,000 a year to

the mafia, and the small ones $25,000, to be allowed to function. Other agreements were also reached. Mob

henchmen Willie Bioff and George E. Browne were mob lieutenants who orchestrated the mob’s "Hollywood

takeover".

Time Magazine, Nov. 1, 1943, wrote, "In the witness chair in Manhattan’s Federal Court sat bland, wily Willie

Bioft (pronounced Buy-off), blackmailer, panderer, labor leader, and now star witness against eight ex-pals,

who are charged with shaking down $1 million from the movie industry...Question: Was it true that Bioft once

had a five-year plan for taking over 20% of Hollywood’s profits-and eventually 50% interest In the studios

themselves? Bioff (wistfully): "If we’d lasted that long, we would have. Question: "Did you ever say you were

boss of Hollywood and could make producers do whatever you wanted?" Bioff: "Yes-and I could make them

dance to my tune." Although Bioff rolled over on his pals and ended up getting car bombed, that didn’t stop the

mob/Mishpucka infiltration & control of Hollywood. (Bioff had tried to save his public image by helping Walt

Disney settle his labor dispute with the mob-led unions, but Walt wisely relected his offer of help, and made

sure he didn’t offend the Chicago mob leaders who were disgruntled with Bioff.) Hundreds of millions of dollars

were poured by the Mafia & Mishpucka into real estate in southern California, by using legitimate local

businessmen to launder the money. Hollywood was declared a "free zone" where all the Mafia/Mishpucka

families could operate without a fear of a turf war. Let us backtrack slightly to 1930. Columbia distributed

Disney cartoons from 1930 until 1932, when Disney switched to United Artists, because Columbia wasn’t

bothering to pay Disney the money they owed. In 1930, Cohn, Pres. of Columbia Pictures, got Disney off the

financial hook with Powers by intimidating Powers with some street toughs carrying a legal suit. If Disney

wasn’t indebted to the mafia before, he was at that point. Biographers have been puzzled why Disney went

into such a traumatic depression after Henry Cohn "helped" him. Tough guy Henry Cohn made sure Walt

knew who was boss. His attitude was that Walt should be happy to be paid at all by him for the cartoons Walt

supplied Columbia. After this, Walt would lock himself in his room and weep uncontrollably for hours. He was

impossible for anyone to get along with. He was unable to focus on anything, and would stare for long periods

out the window. Biographers blame Walt’s behavior on the fact that his wife was pregnant. They also blame it

on his friend Iwerks defection to another company. Frankly, Walt had treated Iwerk like a dog, and deep down

must have known why Iwerk left such an abusive relationship. To claim that he wept for hours day after day

because he realized he might become a father is too much to swallow. When Walt was asked years later

about why he was so depressed he said it was the stress of the financial situation. Walt said, ,,I had a nervous

breakdown. ..Costs were going up; each new picture we finished cost more to make than we had figured it

would earn when we first began to plan it...I cracked up." This author submits to the reader that part of his

breakdown may have indeed been the financial stress from having come under the heel of the mafia. They

had all the means to make or break him, and he had no choice but to surrender to their overwhelming power

to blackmail & destroy him OR to get out of the business. What this did was place Walt in a position where his

Walt Disney Page 29 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

two strongest traits had to clash--his overwhelming obsession to be his own boss, and his creative obsession

to create animation which was wrapped up with his ego & his deep phobias and psychological needs. His

mind couldn’t give up its independence nor its creativity without great mental anguish, and therefore Walt was

very saddened, knowing that he would have to admit defeat, and buckle under the heels of the big boys. Just

when he needed emotional support his wife was going to have a child, and his best animator left. Walt had

abandoned Iwerks years before, and Walt’s wife had wanted a child for some time. Iwerk’s departure and his

arriving child do not in themselves account for the long intense nervous breakdown that Walt experienced.

Biographers point out that Walt was very reluctant to have children, and that he was impotent with women

including his wife much of the time. His impotency to carry out normal sex may help explain his secret sexual

habits. Walt’s masonic brother Carl Laemmle offered Walt a good deal to help him recover from Henry Cohn’s

abusive control of Walt, but Carl wanted the copyright to Mickey Mouse in return for the help, and Walt

wouldn’t part with Mickey Mouse. Instead, Walt signed a contract offered by Joseph Schenck of UA (United

Artists), who was one of the Mafia’s illegal drug kingpins. In 1935, the mob’s illegal drug dealer Joseph

Schenck went on to found 20th Century, Inc. which later merged with Fox in ‘38 to form Twentieth Century-

Fox, whose board of directors would include two Illuminati kingpins William Randolph Hearst and Malcolm

MacIntyre. Joseph Schenck’s brother Nicholas Schenck and Marcus Loew merged Metro Pictures and

Goldwyn Pictures and named Louis B. Mayer as its head. Meanwhile over the years, MCA, headed up by

Illuminati Kingpin Lew Wasserman gained a monopoly over the American film industry with the secret

backroom deals that they made with Ronald Reagan’s Screen Actor’s Guild and Petrillo’s American Fed, of

Musicians. (By the way, Lew Wasserman would try to revive Reagan’s acting career in the early ‘60’s. Frank

Sinatra and Walt Disney were both friends of Ronald Reagan, and all three believed in mind-control.) Ronald

Reagan and Petrillo in turn worked with the Mafia’s NCS Council of 9 (which incl. Anthony Accardo and Sam

Giancana), which at one point divided the U.S. into 24 mob territories. After J. Schenck went to jail (very

briefly), he was replaced as Pres. of 20th-Cent. Fox by Spyros Skouras. Before his arrest, while Schenck was

still in charge of 20th-Cent. Fox, he made numerous offers to Disney for Disney to incorporate his studio as a

subdivision of 20th-Cent. Fox. Disney worked for a few years with them distributing his films, but he would not

let go of trying to be independent. The FBI and American Intelligence turned to the mob to help them as the

U.S. entered WW II. Perhaps Walt’s mob connection added impetus for his recruitment. Walt went to a

number of American Nazi meetings prior to Pearl Harbor. This author believes from knowing Walt’s personality

that Walt may have been on assignment, rather than a Nazi sympathizer. Still, why does one of Disney’s pre-

Pearl harbor cartoons display a swastika? Disney’s Epcot Resorts is close to the mob’s Atlantic City Board

Walk with its nightclubs. The resort was designed by Robert A.M. Stern. (This author doesn’t know about

Robert Stern, but there are programmed multiples and Illuminati members within the Stern family.) At Walt

Disney World, the nightclub there was named "Cage", and then later ’8 TRAX". Comedy Warehouse, which is

a nightclub at Pleasure Island in Walt Disney World opened on May 1, 1989 and has used slave comedians as

well having people who are mind-control abusers. On Feb. 11, 1987, Walt Disney Co. was reincorporated in

Delaware. Delaware is the only state that allows total corporate secrecy. No one can find out who really is

running a Delaware corporation, and many other secrets can be hidden under Delaware’s corporation laws.

Capital Group has considerable shares in Disney, as well as 29% of the shares of the Robert Mondavi winery

at 7801 St. Helena Hwy, Oakville, CA. Wellington Group and Mellon bank also have shares. Behind Capital

Group are mob controlled groups like Debartolo Reality Corp. and La Quinta Inns (a Bass bro. operation.)

Sam Bronfman operates Sterling & Monterey Vineyards. There are countless people walking around that have

felt the ruthless, impersonal, controlling, money-grabbing side of the Disney Corp. Also, there are a number of

journalists who have experienced first hand the secrecy and paranoia that the Disney corporation has. Most

journalists are not used to the secrecy that pervades Disney. Because Disney has shaped the myths of

America for several generations, the public takes more concern over who is running Disney, than they would

other institutions. Because most of America believe in the image that the Illuminati have built for Disney, they

are rooting for it to succeed.

How Disney Executives have figured out how to steal land all across the U.S.

Over the years Walt Disney has developed several very sneaky reliable techniques to acquire land. They

acquire land through their executives and large stockholders and family members of the execs and

stockholders. After all the deals are made in an area, and when everything is in place over a period of time,

these people then turn their land over to Disney. Disney works with government officials and local bankers to

line up special deals so they can succeed in their plans. After everything is lined up, the corporation

announces their plans and goes forward. This methodology has been used repeatedly, for instance the

American History Theme Park in the Manassas Civil War battlefield area of Virginia for which Disney has

acquired 1,800 acres and has access to at least 1,200 more. In Nov. ‘94, after a new Virginia governor was

Walt Disney Page 30 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

elected, the Virginia "Disney’s America" project was announced, and Virginia voted almost instantly for the

money for transportation and infrastructure improvements to the area so that Disney’s theme park would be

viable. Disney set up 3 banks in Napa, CA. Their banks made loans to old families in the valley. The trusts and

the wills for these families were made up by Stanford Univ. grads. These people set on the boards of these

banks or connect with the boards of these banks. They charge large fees, and know every trick in the book to

rob people of their estates and their living trusts. The Stanford grads, who connect in with intelligence

agencies & the mob use certain code words when they set up their businesses, such as RESOURCE,

EVERGREEN and PACIFIC. There are a number of scared landholders who are being intimidated to sell their

land in the Napa Valley region.

DISNEY and the GOVERNMENT

Just prior to W.W. II, the FBI recruited Walt Disney. His job was to spy on Hollywood or anything else that

looked suspicious. Documents obtained from the Freedom of Information Act, in spite of heavy censoring,

clearly show that Walt Disney became a paid Special Correspondent asset of the FBI. He reported to FBI

agent E.E. Conroy. In 1954, Walt was promoted to Special Agent in Charge (SAC) which means others

reported to him. After "leaving" the CIA, ex-DCI (ex-head) of the CIA William Hedgcock Webster became a

lawyer for the Wash. D.C. based firm of Milbank, Tweed, Hadley and McCloy. In 1993, when news broke

about Walt Disney’s FBI membership, ex-CIA head Webster worked with the Disney family to cover up to the

public that Walt Disney was an FBI agent. Webster went on TV and had interviews to spread the fabrication

that Walt was not connected to the FBI. Why? One of the countless items that Disney was involved in was the

investigation into the disappearance/rape of a six-year old child Rose Marie Riddle on 1/12/61. According to

documents gotten from the Freedom of Information Act, W.G. Simon was the FBI agent who met with SAC

Walt Disney in L.A. about the case. W.G. Simon has been one of those people who has been publicly lying by

claiming that Walt Disney never was an FBI agent. The paper trail proves otherwise. Why is it so important to

the FBI and CIA to cover up that Walt was an FBI agent? Walt also worked for the CIA, even though

documentation of that is not available. This author theorizes that the reason the FBI and CIA are so touchy

about letting people know that Walt worked for the government is that the Network knows how the FBI and

CIA worked together to procure children for mind-control programming purposes. Because Disney and

Disneyland played such as enormous role in Mind-control, Disney’s connection to them, although on the

sufface a seemingly minor fact, is in reality a minor fact setting on top of an enormous ghastly secret. When

W.W. II started, the government incorporated the Disney studios into the war machine. The military paid

Disney $80,000 for 20 training cartoon, which cost Disney $72,000 to make. Disney studios also made some

secret films for the military. Mickey Mouse and Goofy cartoons were slanted to have war themes, for instance,

the Goofy cartoon of 1941 "The Art of Self Defense" and "How to be a Sailor" in 1944. Perhaps in honor of the

contribution Disney had made to the war effort, "Mickey Mouse" was the password of the Allies for millions of

men on the big D-Day invasion on June 6,1944. Walt Disney produced a cartoon showing Donald Duck paying

his taxes faithfully. The film was entitled The New Spirit. It was very successful in getting Americans to comply

with the IRS. In 1946, Disney made a film for the public schools for sex education entitled The Story of

Menstruation. For the United Nations, Walt Disney created "It’s a Small World" attraction for UNICEF for the

‘64-65 World’s Fair. This attraction was moved to the theme parks & has been a major feature for mindcontrol.

After learning of the enormous amount of mind-control programming going on during after hours in

secret tunnels at Disney as well as in the public facilities, it makes more sense why the Russian Premier Nikita

Khrushchev would be denied a visit to Disneyland by the U.S. government "due to security considerations"

when he was visiting the U.S. in Sept. 1959. Khrushchev obviously had his own security working in tandem

with American security and the intelligence people for whatever reason(s) didn’t want the complication of

these Russians going to a major programming site. Some powerful military men have been connected to

Disney films. Two former commanding officers of the USS Alabama nuclear sub were technical advisors for

the Disney film Crimson Tide. Walt Disney was tied to the U.S. government, and recent disclosures show that

he was tied to the FBI. Walt used his FBI connection to destroy the life of Art Babbitt, who had led the strike

against Disney in 1940. Babbitt found that everything he attempted in life after the strike was ruined by some

hidden power. Was Walt part of naval intelligence attached to the FBI? Was he part of the FBI that is involved

with child procurement and mind-control? In the 1950’s the Illuminati began organizing covens on the West

coast and began solidifying their power. (This comes from several independent sources.) Likewise, it’s clear

that Disney didn’t have the clout in 1953 with local governments, that it does today. Walt Disney was

unsuccessful when he tried to get permission from the city of Los Angeles and the Burbank City Council for

the construction of Disneyland (called Disneylandia at that time), in the Burbank area. One Burbank

councilman told Walt, "We don’t want the carny atmosphere in Burbank."" Inconsistently, within a few years

they gave permission to Universal to build an amusement park in Burbank, which opened in 1964. Disney then

Walt Disney Page 31 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

ask the Stanford Research Institute to locate a spot for Disneylandia (Disneyland), which they found at

Anaheim. In recent years, Disney decided they wanted to build another amusement park (called California

Adventure) across from Disneyland. In order to do so, the Interstate highway will have to have changes, and

the Anaheim city council needed to approve the large 55 acre expansion. In contrast to the Burbank City

Council in 1953, Anaheim’s City Council was enthusiastic about the expansion in spite of lots of local

opposition. The locals complained at council meetings to the City Council that the city had no business going

hundreds of millions of dollars into debt to help a corporate giant. (Anaheim will issue $400 million in bonds.)

Locals also raised concerns that the public school system in Anaheim is stressed to the breaking point where

they are considering going to half days, and that Disney Corporation should give as much consideration for

the school children of Anaheim as they do to their Amusement park. Disneyland’s Pres. Paul Pressler bragged

about Disney’s new California Adventure amusement park, "Disney’s California Adventure is really a

celebration of the fun, the beauty, the people and the accomplishments of this magical state. We really have

set out to try to capture a bit of what the California dream is all about." (Sounds like the dream is to be wealthy

and control people. The elite would rather give us BREAD & CIRCUS than an education.)

The Dragnet films were done in part at the Disney studios. In an Office Memo from the 66-new LA SAC FBI

agent to Hoover (12/16/54), which was obtained via the Freedom of Information Act, the typed memo states,

,,Mr. Disney has volunteered representatives of this office complete access to the facilities of Disneyland for

use in connection with official matters..." Historically, we now know that Disney’s use for "official matters"

included mind-control.

J. DISNEY & MIND CONTROL

Once the reader is familiar with the programming scripts, the reader merely needs to watch the Disney

"Adventures in Wonderland" that come on TV in the morning to see Disney mind-control at work. Within a few

minutes one morning, this author had seen a white rabbit create "a world in your mind" (the quote is what the

show said!) with a ring, watched Alice go through the mirrors, watched a White Rabbit [the programmer] read

a book to a little girl, and the TV listener be told by the show "The White Rabbit is our only hope!" The deeper

alters of Illuminati slaves who are programmed for espionage, for spying & blackmail, & seduction &

assassination, are given programming to live in a fantasy world. They never touch base with reality. Much of

this type of programming has gone on at Disneyland. Disneyland visitors are taken in a boat where dolls sing

an around-the-world theme song "It’s a small small world". These doll world parts of the amusement parks are

used for programming assassination & espionage alters. The song & dolls play important roles in these alter’s

mind-control programming. Some slaves at around age 19, have this type of programming tested to make

sure it is solidly in place. The song ,,It’s a Small World" was composed by the Sherman brothers for Disney

originally as a theme song for a ride at the ‘63-’65 NY World’s Fair. The Sherman brothers were talent that

Disney discovered. They were born in NYC, and both graduated from Beverly Hills High School. They wrote

Disney songs for at least 29 films. Mind-controlled slaves, who repeatedly bump into each other, but don’t

know why, will be found saying, "It’s a small, small world." Both rituals & programming go on at Disney

amusement parks during both the day & night. Steven Rockefeller and Walt Disney travelled and spent time

together with Dr. Hadley Cantril, an establishment expert on human behavior. (See There Was Once A Time

of Islands, Illusions & Rockefellers. NY: Harcourt Brace Jovanovich, 1975.) When Walt Disney began Walt

Disney World he sent Card Walker to the Florida capital to request quid pro quo, and the governor gave it to

Disney. What that meant is that Disney’s property in Florida was totally controlled under Disney’s jurisdiction,

they had their own laws, their own police force, their own hospitals, and their own tax rate. No outside

authority would interfere with Disney’s jurisdiction. DisneyWorld’s finances would be untouchable and out of

sight by the state of Florida. Never had so much power been given away. DisneyWorld became its own crime

syndicate within the syndicate. Disney amusement parks are like a city within a city. They have there own

security forces, and the local police allow the Disney security forces to take care of their turf. Disney has their

own policies (laws). Some of the security forces can be identified in plain clothes with clean-cut hair styles and

have communication devices. The security forces have a headquarters room where TV monitors display-live

the exit points at Disney as well as other locations. America ‘s Most Wanted has a fairly large file on children

who have been kidnapped at Disney Amusement Parks. One mother, who got separated from her child when

getting off a train, frantically told a guard her child was missing. The guard took her to the monitor room, where

they saw the kidnapper carrying the child out of the park with the boy slumped over his shoulder. In that short

of a time, the kidnapper had drugged the child, cut his hair different, and put a different shirt on him. (This

anecdote was mention in Inside the Mouse, pg. 52) As written before, white slavery is part of what Disney is

all about. This mother was one of the fortunate few who did manage to find their kidnapped children. An

insider states that the Disney police are definitely part of those moving and abusing innocent children brought

in for occult rituals. In addition, the Disney security forces spy on their own employees. Employees do not

Walt Disney Page 32 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

enter the theme parks like the visitors, nor do they move around like the visitors. They have underground

tunnels and underground entrances and facilities for that. One victim of total mind-control mentioned that a

tunnel entrance was at the Matterhorn mountain at Disneyland. (The Matterhorn was opened by Walt and his

good-friend Richard Nixon, who rode in the first car down the mountain.) The Disney productions has given

the Illuminati the cover to bring together Illusionists, magicians, and special effects artists without anyone

being suspicious. Some of these men were able to apply their talents toward programming children. As an

example of their talents, Disney special effects artists were able to create 16 realistic-looking cadavers for the

1989 film Gross Anatomy. Walt Disney, Inc. has teamed up with Los Alamos and Sandia Labs, two other

groups which are heavily involved in mind-control and people control to develop body scans, branding and

access codes for the visitors to Disney’s theme parks. Each of the Disney Theme parks, such as Disneyland,

DisneyWorld, EuroDisney etc. have vast underground facilities. These underground facilities allow many of the

workers to get to the ride areas via underground passages. Each theme facility also has a vast infrastructure

underground in order to maintain it. The underground areas contain wardrobe design and repair units, fitting

rooms, restrooms, cafeterias, security units, computers, freight ramps, utility encasements, and large

connecting tunnels. The underground areas also have programming rooms. They have their own power plants

and water systems and their own police force. Disney company employs 71,000 people at several locations,

tone recent TV show used the figure 40,000 Disney employees.] People are coming and going 24 hours at the

Disney theme parks. Three shifts keep up the 24 hour business. The night crews maintain and repair the

parks for the thousands of people that will soon arrive in the morning. Disneyland makes a natural prop for

carrying out mind-control. The items they sell are also natural props--such as the Goofy watch ($19.95) which

has hands that move backward to confuse a slave as to what time it is. Was Walt Disney aware of how

Disneyland was used for programming? There is no doubt. Disney lived much of nights at Disneyland, and

had an apartment at the firehouse near the train station on Main St. At night, if he was not doing anything else,

he’d roam the grounds of Disneyland scribbling notes on his own distinctive blue paper, which he’d leave for

workers to follow the next day. The notes would say such things as "Replace these flowers," or "Move that

bench". (Prince of the Magic Kingdom, p. 25) Walt Disney knew everything that went on in his Magic Kingdom.

The Epcot Center and the Disney amusement parks market all kinds of occult triggers, including crystals,

rainbows, wizards etc. that reinforce the programming. The Epcot Center has two glass pyramids along with

its "Journey into Imagination". Disneyworld has the Island of Atlantis on its sub tour. Fantasyland is one of the

most used tours of Disneyland for mind-control purposes. It has carousels, merry music, an incredible castle,

boat rides, story book characters etc. Sleeping Beauty Castle with its blue turrets and gold spires is the central

visual object of Disneyland. You cross a drawbridge to get into it. Inside Fantasyland are Illuminati

programming sites such as the Mad Hatter teacups, the King Arthur carousel horses, and Snow White’s forest.

In the far corner of Disneyland’s New Orlean’s Square is the Haunted Mansion. This mansion is designed to

frighten and scare, it has an ingenious design and many special effects and illusions. Realistic ghosts, a

screeching raven, howling voices, and other scary things welcome the visitor. Life size holograms are created

at the Haunted Mansion, and dance in sync with the music and then fade out at certain points. There is a

hologram of a woman’s head in a crystal ball who chatters non-stop. A real good laugh for the programmers of

a little child. When you are toward the end, you will have a chance to look into a mirror where a hologram

ghost will nestle up beside you. Star Speeder is another great programming location at Disneyland. It was the

creation of George Lucas and the Disney Imagineers. The technology is borrowed from Star Wars, and is

similar to flight simulators used by the military to train pilots. Disneyland Hotel offers Character Breakfasts,

where children eat breakfast with Disney characters, to people who make special arrangements. U.S. Special

Forces, which carries out mind-control, owns two hotels near Disney World, and the Mormons have one also.

Knott’s Berry Farm with its Ghost Town, Amusement Park, & its Charlie Brown themes and characters is near

Disneyland. One of the Disney executives began one of the most horrible trauma-based mind-control

programming centers in Los Angeles called Magic Castle a comedy warehouse. This trauma center had

horrible torture chambers. Children were brought in from South and Central America to be programmed at the

Magic Castle. A brave L.A. policeman exposed the place--for which he lost his job, and eventually was able to

get the site closed. One of Disney’s recent ventures in their Disney Institute, which Newsweek labeled "the

Disneyland of the Mind". (Newsweek, Mar. 4, 1996, p. 61) A private club called Club 33 at Disneyland located

upstairs in the New Orleans Square is believed to be involved in mind-control. Cub’s Den supervises

children’s activities at the Wilderness Lodge Resort at Walt Disney World.

At Disney-MGM studios the major attraction is the Twilight Zone Tower of Terror. Guests take a strange scary

trip through the hotel, where guests are finally sent into an elevator that drops out of control 13 stories. The

ride has been advertized on TV. Disneyland now has a Temple to the Forbidden Eye--which is simply a

Temple to the All Seeing Eye, the Illuminati symbol. Visitors, who have the patience to wait in line, can strap

themselves in for a ride that is like a jack hammer that jars the rider through a temple filled with snakes, rats,

Walt Disney Page 33 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

and mummies. One aerobics teacher couldn’t walk for three days after the jarring ride, which comes across

as ,,hokey". The experience is more traumatizing than fun, but then maybe that is what was intended.

DISNEY VACATIONS FOR THE ELITE

Years ago this author’s newsletters exposed Hilton Head Island, SC as a watering hole of the powerful elite

incl. retired generals and admirals, and the site for the elite’s Renaissance Weekend "meat market".

Remember, that at one time Hilton Head Island was private, with imported alligators in the water around it. A

person was only allowed on the island by going through security gates with a clearance. In a later newsletter,

Disney’s Hilton Head Island Resort was mentioned. This resort, built by Disney Vacation Development, Inc., is

located on a 15-acre private island linked to Hilton Head island by a narrow bridge. Members to the Disney

Vacation Club can exchange time for vacations at Disney and other resorts around the world. Memberships

cost minimum $9,412.

MELODYLAND

Right smack across from the entrance to Disneyland is the Assembly of God’s Melodyland Christian Center,

the birthplace of TEN (Trinity Broadcasting Network). The Assembly of God denomination has been heavily

infiltrated by the Illuminati, and has been heavily used as a front for programmed slaves. Paul Crouch,

president of Trinity Broadcasting Systems, Inc., was affiliated with Melodyland in 1973 when TBS was getting

started. At that time, Melodyland was a rich heavily infiltrated charismatic church, with its share of

programmed multiples. In 1973, closet homosexual minister Jim Bakker, and his wife Tammy Faye, a

programmed multiple were with Paul Crouch in Anaheim at Melodyland. Paul Crouch had been the assistant

pastor of Bakker’s home church in Muskegon, MI. Crouch’s right hand man was Alexander Valderrama, a

charismatic Roman Catholic. TBS used an abandoned military base as their TV complex, using hangers as

studios. In the early 70’s, ABC put Bakker & Crouch’s early shows on their affiliate stations on Sunday

morning. Bakker had already gotten his career kicked off with Illuminatus Pat Robertson and his 700 Club. Jim

Bakker split and went to the east coast. To help Bakker with his money, Bill Perkins, who had been a financial

analyst for the World Order’s mind-control research at Sandia National Labs in Livermore came to help Bakker

run his ministry’s finances. Later, televangelist Bakker began building Heritage USA, which was to be a bigmoney

resort. Bakker hired people who had worked for Disney to construct Heritage USA. Bakker studied

Disneyland, Disneyworld, and other Disney places as a model for Heritage USA. After Disneyworld opened in

Florida, Jim Bakker was a REGULAR visitor to it. Heritage USA’s Ft. Heritage was modelled after Disney’s Ft.

Wilderness, Main St. was modelled after the Magic Kingdom’s Main St., and Disney’s wrought-iron fencing

was also copied. Most people are aware of Jim Bakker’s $265,000 payoff to Jessica Hahn to keep her sexual

services to him a secret, his longtime homosexual relationship with his right hand man David Taggart, and his

prison sentence. James Orson (named after Orson Welles) Bakker was from Muskegon, the same place that

Cathy O’Brien, a freed Mind-controlled slave came from. He was born pre-mature, and had some interesting

family situations that make his family suspect. While Cathy O’Brien got programmed via the Catholics, Jim

was part of another denomination which also was into programming, the charismatic Assemblies of God. His

grandfather, who lived next door to Jim, and where Jim spent much childhood time with was popularly known

in town as a "huckster", and nicknamed Kingfish after the manipulative character on Amos & Andy. Tammy his

wife grew up in International Falls, MN in poverty in the home of her stepfather and mother. Besides having a

"shopping demon," she has had her share of phobias and mental problems, as can be expected from

someone who has had to suffer through programming. It would be worth pointing out who has come to Jim

Bakker’s rescue when he was under attack. For instance, on Thursday, Oct. 4, 1984 when Jim was under

attack, Jim Bakker’s show had six people give endorsements and praise of Jim Bakker. Those were Ronald

Reagan, Dale Evans, Robert Schuller, Oral Roberts, Billy Graham and Rex Hubbard. Of those, this author

knows for sure that all are masons, except for Rex, who may or may not be. Robert Schuller, Billy Graham

and Oral Roberts are "Christian ministers" who participate in using and handling mind-control slaves. These

three ministers all participate in secret Satanic rituals. The last few paragraphs have given only a sketchy

picture of the intimate relationship between Disney Mind-control and the charismatic movement and its use of

trauma-based total mind-control.

DISNEYANA FOR THE PROGRAMMED & OBSESSED

For people who have been programmed with Disney programming and who are obsessed with Mickey Mouse

and everything else about Disney, and for other people who just have the collecting spirit for Disney

Walt Disney Page 34 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

memorabilia, there is a group called Disneyana. Disneyana, was organized in the 1980’s, and consists of

people who are cult-like in their devotion to anything true Disney. Some of them to express their devotion

outwardly tatoo their bodies with Disney characters. This group holds their annual convention at the

Contemporary Resort in FL. One Disneyana at the annual convention said, "We collect to keep the good

feeling inside." Another when interviewed said, "This is why it’s all about love." The author knows as a fact

some of the men who are obsessed with Mickey Mouse & Disney items are programmed multiples. One of

Kenneth Anger’s occult friends has had the world’s largest Mickey Mouse collection. Who is Kenneth Anger?

Kenneth Anger, a member of LaVey’s Magick Circle & later his Church of Satan, is an occultist and an

underground film maker. Kenneth Anger (he choose the last name Anger) was raised on the Wizard of Oz

books. His biographer Bill Landis writes that the Oz books "laid the groundwork for Ken’s attraction to Crowley,

the occultist who would rework Rosicrucian thought into his own magical system." Ken was obsessed with

Crowley’s life & magic. As a child, Ken had danced with Shirley Temple in competition after she became a

child star. Ken Anger loved the OTO’s solar phallic religion, and was also obsessed with Mickey Mouse. He

spent part of his time studying his friend’s Mickey Mouse collection. Ken Anger did his casting for his

film ,,Lucifer Rising" by telling occult friends & acquaintances that they could live out their goddess or god

power-trip fantasies by acting for him. The British government’s National Film Finance Corp. fronted 15,000£

for Lucifer Rising’s production. Famous occult musician Jimmy Page did the sound track gratis. Ken Anger

acted as the film’s Magus and made his Magus role resemble Mickey Mouse in the film Fantasia. (The role

Fantasia plays in mind-control programming will follow as the last part of this chapter.) "Lucifer Rising" also

starts with Fantasia-type volcanoes. Another of his well-known films was "Invocation of My Demon Brother."

Mind-control features in Disney movies.

The elements within Disney movies that are intentionally put in for mind-control would take volumes to

describe. A detailed description of how just one Disney movie is used as a programming script soon follows.

Fantasia was selected as the example. A random sampling of features in Disney movies for mind-control

programming could include:

· Cogworth the enchanted mantle clock in Beauty and the Beast.

· The character Door Knob, which is a doorknob portrayed as a person in the Disney cartoon Alice In

Wonderland, is useful for programming door knob alters.

· The Blue Yonder is a Disney movie on time travel of a young boy. Time travel movies are used for

programming to mess up the victim’s sense of time.

· Disney film "Animated Alphabet" has letters which come alive, which is useful for programming. And what

about the ‘82 Disney movie "Computers are People, Too!" ?

· All the Illuminati members this author is aware of who have received trauma-based total mind-control were

taught to astrally project and study on the astral plane what they needed to learn. A Disney movie that

portrays this is Goofy over Dental Health. This is an educational film released by Disney in ‘91 and again in

‘93, where Goofy places a magical toothbrush under a child’s pillow, so that the child astrally projects to a

dentist office and while on the astral plane studies how to have healthy teeth.

· Illuminati altars believe that trees and flowers are alive. The 1932 Disney film Flowers and Trees is a story

about two trees that fall in love. The film portrays the occult belief that trees can talk and sing. Internally, alter

systems will be constructed with singing trees and flowers that represent people and which are alters. The

singing trees give out internal codes to move alters internally where they need to go. Return to Oz. (1985) This

Disney film begins its story line about a girl who is thought to have psychological problems because of her

tales of Oz. She is warned not to talk about Oz by her relatives. She is taken to a psychologist who wears a

big ruby ring, who tells Dorothy that electroshocks won’t hurt her, and that we are at the "dawn of a New Age."

Dorothy is told that her memories are ,,just dreams" that stem from excess electrical current in the brain. She

is sent to a mental institution to receive shock treatments for talking about Oz. A lightening storm allows her to

escape the shock treatments and when she sleeps, she awakes in Oz. In Oz she goes through many mindcontrol

scenarios, ruby slippers, mirrors, etc., and toward the end visits with evil Mombi, Princess of Oz who

keeps Ozma (Dorothy’s twin) as a slave. Mombi eventually casts a spell and enchants Ozma into a mirror. Sci-

Fi author J.D. Vinge in her Return to Oz based on the screen play writes on pg. 211-212, "Dorothy gazed at

Walt Disney Page 35 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

herself in the mirror, seeing her own reflection, and remembering the moment when she had looked at herself

and seen someone else there, someone so like her that it could have been her sister." Parts of this film were

filmed near Stonehenge, Eng. Disney has put out several films on the Wizard of Oz theme, all of which were

used for programming. The original series of Oz books were by Baum. In ’39, MGM did the famous Wizard of

Oz film. In the Disney movie Tron (1982), a young computer genius goes into an altered state where he ends

up becoming a computer program. After defeating the MCP, he returns to the real world. This is simply a

programming script. A special effects team created a 3-D world, showing how talented Disney special effects

people can be in making something seems real. This movie should show people their mind-control

capabilities. Mathematical Applications Group, Inc. (MAGI) were one of the groups that created the graphics.

Disney came out with 3 videos of new adventures in Wonderland, which are mind-control programming. In the

mornings here 9-9:30, on channel 21, Disney has a Wonderland Show every morning which is mind-control

programming for children. Within a few minutes, this author had seen a girl walk through a mirror, the 3 lives of

Thomasina mentioned, and a little ditty "I’m a little tea-pot" where a person becomes a tea pot. They also had

an "under the umbella" scene. This was all pure programming, right on TV. Of course, they show the White

Rabbit as a central figure. ABC under the auspices of Disney produced a lengthy 140 min. film Wild Palms

which depicts Illuminati mind-control and life. One reader of Vol. 2 stated that the Wild Palms movie would

have made no sense except that having read the Vol. 2 book, the movie made lots of sense in the light of Vol.

2’s revelations. The film depicts how children are kidnapped, switched at birth, programmed via TV cartoons,

programmed to kill and use stun guns etc. The film depicts Illuminati bloodlines and arranged marriages.

Although the name,,Illuminati" is not used, if viewers substitute in the name "the Fathers" for Illuminati fathers,

they will get an insider’s view of life at the top. Their slaves as “Papa” or “Daddy” or “Mother” address the main

controllers. This is true to life. A person opposed to the Fathers states, "One day we will wake up and discover

we don’t own this country and no one will care." The movie states that events are not happening randomly.

The movie shows an underground tunnel system which has an entrance hidden by a swimming pool. Quite a

few actual programming codes were said during the film, for instance, "down, down, down through the pool of

tears..." and "we’re going to go down the yellow brick road now." The movie was created by Bruce Wagner,

who obviously is an insider concerning trauma-based total mind-control. The fact the movie was made shows

the arrogance of the programmers’ beliefs that their criminal acts in programming thousands of little children

will not be exposed, and that people will be too stupid to realize that what is put out as fiction is actually

mirroring what is happening. It’s like they believe their own script that IF people did find out "no one will care."

Because so much of the Illuminati programming involves the creation and programming of 3 alters linked into

trinities, it is not surprising that Disney has helped such triad programming with a series of movies about

threesomes, including:

3 Blind Mouseketeers

Three Caballeros

3 little pigs

Three Little Wolves

3 Lives of Thomasina

The Three Musketeers

3 Ninjas

Three Orphan Kittens

For Mickey Mouse programming they came out with Thru the Mirror, where Mickey Mouse steps through his

bedroom mirror and ends up in another world (altered state). Not all of the Disney movies that have mindcontrol

programming themes got released to the public. One unreleased cartoon had Penelope fleeing from a

sinister looking Grandfather Clock, which is carrying her to another world, and has another scene where

Penelope tries to hold onto someone, who personifies the Wind. George Lucas, who directed the movie Star

Wars, which was a movie planned by the Illuminati & used for Illuminati programming, also directed Disney’s

movie "Captain EO". Captain EO (who looks like a demonic entity) goes to rescue the Queen (who looks like

the harlot describes as Mystery Babylon in the Bible). The Queen is in captivity simply because she and her

people believe in black and white (which represent good and evil). When they renounce such a belief, they are

Walt Disney Page 36 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

saved by Michael Jackson (in actual life a mind-controlled slave) playing Captain EO. It’s a New Age

witchcraft film through & through. By the way, Michael Jackson has gone to Disney amusement parks many

times, sometimes in disguise. It is public knowledge that his Jehovah’s Witness family has been very abusive

mentally and physically to their children. Disney has put out several movies on how the mind works, such as

the educational film The Brain & Nervous System in 1990. Their film Runaway Brain is a cartoon where Dr.

Frankenollie transplants Mickey’s brain into a monster’s body & vice-versa. A 1994 film, Puppet Masters

shows the govt.’s secret Office of Scientific Intelligence trying to save the U.S. from aliens who live in human

bodies. In recent years, Bette Midler has been Disney’s main actress. In the Vol. 2, it was exposed that she is

possibly a Monarch Mind-controlled slave. She is famous for her "mood swings" (switches in personality), and

she had a "mental breakdown" in 1985. Her eyes and body gestures are those of a programmed multiple. She

has gone out on tour for Disney without making -money, and she is best of friends with Jeffrey Katzenberg

(second in command at Disney). Jeffrey Katzenberg by the way is extremely disliked by his counterpart Sid

Sheinberg. Bette Midler plays Stella in the movie Stella. Stella is an occult name. In the movie, the script

seems tailored for Bette Midler and for someone who is a programmed slave, rather than the actress fitting the

role. At the movie’s end, Stella (Bette Midler) attends her own daughter’s marriage by peeking in a window

and watching from the outside. This is the script they give so many of the parts of a slave, so that they feel

unworthy and feel like they are always on the outside looking in at life. Many parts (personalities) of slaves find

it hard to connect with real life, because they feel they are on the outside looking in. And then in true Disney

fashion, Disney had Bette Midler play the role of the lead witch in Hocus Pocus. The movie Hocus Pocus does

some hocus pocus of its own. While pretending to make fun of witchcraft, they actually teach witchcraft. They

do make the 3 witches look comical. By the way, the 3 witches stand for the maiden, mother, crone combo

that the Illuminati reverence. Disney subtly works in deep occult things, such as the all-seeing eye on the

cover of the book, the little girl promising the cat (who is a familiar spirit) that her descendants would always

care for it (true, because the cat was a generational spirit). The cat is killed in the movie but can’t die. And

Bette Midler as lead witch in her costume, which has some Mother-of-Darkness symbology on it, states as she

gets ready to take the life force from an innocent girl, "We want to live forever, so we take children’s lives."

This is wholesome entertainment for children? The Disney capacity for deception extends to its own workers.

PR men recruit young people for its Disney College program. They tell the young people what a great stepping

stone it will be for their careers. They have been known to make it sound like the greatest thing in your life.

Kids come from all over the country due to the slick recruiting tactics to work for Disney. They are then housed

in Disney housing, given menial jobs, and paid low wages. Most people in the College Program leave

disillusioned. If the worker happens to think of a great idea, Disney officials have been known to steal the idea,

and because the worker was working for Disney the worker will find that they are unable to get any credit or

money for the idea that Disney steals and makes millions off of. One uncredited creator of a Disney sale item

said, ,,literally, they’re using everybody for everything." (Inside the Mouse, p. 239.)

>>> Next, will be the script for how the Disney film Fantasia has been used as a standard programming tool

since the 1940’s by the Illuminati.

DETAILED SCRIPT ON HOW THE DISNEY FILM FANTASIA IS USED

FOR PROGRAMMING TRAUMA-BASED MIND-CONTROLLED SLAVES.

During the 1950’s, ‘60’s, and ‘70’s at least 90% of the Illuminati’s trauma-based mind-controlled slaves were

subjected to watching Disney’s Fantasia film in order for them to build the foundational imagery of the mindcontrol.

Child mind-control victims had their eyes taped open, and then sat one-on-one with their primary

programmers so that the programmers could give the scripts as the child watched Disney’s Fantasia over and

over. What made Fantasia unique, as a programming tool is that it had almost everything the programmers

needed to create the foundational imagery for their trauma-based mind-control. To build a dependable alter

system means that the worlds need a solid foundation. Fantasia has provided the means to get a solid

foundation for the internal worlds that the Illuminati slaves build in their mind. It is also a masterpiece in

coordinating color and music.

The Disney film Fantasia which premiered on Nov. 13, 1940 (at Broadway Theater in NYC) was a financial

Walt Disney Page 37 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

disaster as a movie, but was an Illuminati programming masterpiece. The film was released to theaters in ‘40,

‘46, ‘56, ‘63, ‘69, ‘77, ‘82, ‘85, ‘90 in order to catch every generation of children. The video was released in

1991. During programming much of the child slave’s mind will watch the film. One particular part (alter) will be

forced to memorize everything in the film. This small part (small alter) is well hidden in each victim’s mind. This

small alter, who has a vivid and total recall of the film Fantasia, is locked carefully away so that ONLY an

access code will pull him/her up. Watching the videotape Fantasia is not going to pull this alter up. The

programmers pull this alter up when they have a clean slate alter. When they are taking a clean slate of the

mind, they will pull the clean part up and have the alter who has memorized Fantasia throw its memory onto

an internal big screen. The internal Outer space (aka Rubicon) is shaped like an amphitheater, and functions

as a big vast screen for replay. There is an internal ball or sun created via the lighting effect of the movie

Fantasia, so that the movie appears projected in the mind as on a globe. And the Fantasia film images hit this

internal globe and go circular in the mind and spin through the system. The programmer will then say to the

new part "THIS IS WHAT I WANT YOU TO CREATE. THIS IS WHAT WE NEED." In this fashion, Fantasia

has provided the programmers with their primary tool for taking a dissociated clean slate part of the mind, and

manipulating it to become a new workable part within the system. The young part that holds the entire

Fantasia memory is strategically placed in the system so that it can be called up from anyplace in the system.

No matter where the programmer is working in the system, he can access this small alter whose function is to

remember the movie. Most of the system will go into a trance sleep if shown the movie. The front (as well as

most of the system’s alters) will be totally amnesic to having ever seen the movie. Since the programming put

in with Fantasia is so fundamental it should come as no surprise that the programmers have done an excellent

job in protecting this programming from everyone, including the slave. Abreacting the film for many alters

could rip the system apart, because after the film is memorized severe trauma begins to be overlaid and

attached to the film. There may be some small alters that still carry tiny bits and pieces of memory of the

movie, but only one will really remember it.

The following script will be a running account of how Fantasia has been used as an important preparatory film

for Illuminati trauma-based mind-control to train the mind-control victim’s mind to be able to visualize the

programming that will be layered in. The time clock will begin when the feature film’s action begins, and then

will run its entire 116 minutes. This will give the researcher of mind-control a blow-by-blow description of how

a Disney movie is used for programming. The film was often shown to child victims around 3 to 4 years of age

with a wide screen while the child was under a guided LSD trip. (Prior to the use of LSD some other drugs

were used.) A Grande Dame or Mother-of-Darkness often worked with the Illuminati programmer as an

Assistant Programmer. The scripts & the programming have already been discussed prior to showing the child

the film, so the programmers know the direction they want to take the child, & will tailor some of what is said to

the child victim to individualize the programming. When a three or four year old is shown Fantasia on a

hypnotically-prepared and controlled LSD trip, the colors & effects of Fantasia are increased about 1,000

times. The film is realer than real to the child. The movie will not be shown just once, but over and over so that

the scripts are ingrained into the mind. The imagery for the child’s internal world will be well established,

because the big screen movie enhanced by both the drugs and the bright colors of the art work will seem

more real that life itself. At this time, the child is a multiple, but the walls between the various parts of the mind

are not solid, but similar to the walls between ego states in an adult non-multiple. A large part of the 3 or 4

year-old child’s system will be allowed to view the system, including the Christian parts. Then the entire

system (with the single exception of the alter carrying the entire memory of the film) will be hypnotically told to

forget having seen the film. Years later, the front alters will not remember having seen the movie, but they may

have a strange dislike for the film. They may find that they can’t identify where their feelings of dislike of the

film stem from. The child victim will watch the movie with its programmer and assistant programmer one-onone,

with no other children in the room. The child will watch the film repeatedly and be grilled about what is in

the movie. The child will see the movie so many times in such a vivid form and will be tested to the point that

the movie will be memorized. But it will be hypnotically locked up in the subconscious by the programmers, so

that it forms a base for the mind to begin building programming, but will remain hidden from the conscious. At

the time the Fantasia film was made, the Illuminati had been creating trained multiples for years, but they

knew they wanted to program the different personalities in accordance with the best mind-control techniques

of the day. For this reason, the Fantasia film was planned ahead of time, so that it could possibly serve as a

programming aid. The film is silent (almost no words) except for music so that it can be used for hypnotic

visualization, so that the Mother of Darkness & the programmer can fill in the programming script with the child

victim as they watch the movie. As it turned out, their plans were successful. The New Age author David Tame

states in his book The Secret Power of Music (Rochester, VT: Destiny Books, 1984, p. 292), that Fantasia is. .

. "A superb marriage between the visual and musical arts. Most of the sequences.. .are what New Age cinema

was intended to be!" The power of the movie to influence the mind stands out. In order to make the film,

Disney used some strong arm tactics on a few people. The movie was a box office flop when first released in

Walt Disney Page 38 of 55

http://proutnewsnetwork.org/NWO/files/waltdisney.html 2/25/2007

the 1940’s, but then it was made for the occult world anyway. By the 1960’s, the Illuminati had create a drug

culture and had lots of undetectable mind-controlled slaves running around that had been programmed with

Fantasia. In the 1960’s, Fantasia became a hit with the drug culture which had its share of Illuminati slaves

deeply involved in it. One more reminder, the sentences that are "ALL CAPS" in the script are things that the

programmers are saying to the child victim as the child watches the film. (Bear in mind, that the child watches

the film over & over, so not everything indicated in this script by caps that the programmer says will

necessarily be said in one showing.)

00 minutes. Curtains open. Action begins with an orchestra. The Conductor upon a step pyramid is the center

of the scene, and is shown to be the center of authority. Master Programmer Dr. Joseph Mengele liked

Fantasia because he was a musician and a violinist. Mengele (Dr. Green) liked Bach, Beethoven, and

Schubert and orchestra music. He enjoyed taking what he liked & using this music to make slaves. He would

portray himself during programming, as being the conductor, & all the orchestra were his children. The film will

allow for a repetition of this theme.

00.5 minutes. The instruments begin playing. The musicians are silhouettes which cast shadows upon the

wall. Alters will often see themselves in this fashion too, as merely a shadow or merely a silhouette.

01.5 minutes. The MC (named Taylor) begins talking. He begins grooming the viewer. He says that the film

may suggest to your imagination "geometric figures floating in space."

02. minutes. The M.C. says there are 3 kinds of music. He says some music is to create definite stories, some

to create definite pictures, and some music exists for its own sake.

02.5 minutes. The M.C. introduces us to the "Absolute music."

03. minutes. He states that ,,Abstract images that might pass through your mind...music will suggest other

things to your imagination..." The Philadelphia Orchestra begins playing "Toccata and Fuge" by Bach in the

background. As a cartoon for children (or adults) the film has already lost the normal audience at this point.

(There is no way that Disney could have escaped realizing that the film starts out losing the normal audience.)

03.5 minutes. The conductor is standing out and everyone else is a silhouette with shadow mirror images (like

so many of the alters become). Leopald Stokowski is now standing as the rising sun rises. This is an allusion

to sun worship and the sun rising in the